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	<title>Comments on: First-Person Curator</title>
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	<link>http://blogs.smithsonianmag.com/aroundthemall/2007/10/first-person-curator/</link>
	<description>A new Smithsonian blog covering scenes and sightings from the Smithsonian museums and beyond.</description>
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		<title>By: Judy</title>
		<link>http://blogs.smithsonianmag.com/aroundthemall/2007/10/first-person-curator/comment-page-1/#comment-163</link>
		<dc:creator>Judy</dc:creator>
		<pubDate>Wed, 31 Oct 2007 22:51:05 +0000</pubDate>
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		<description>A national treasure honored in the National Portrait Gallery seems like an excellent fit to me. She was indeed fascinating and continues to be. In 1977 I met her backstage in her dressing room in Baltimore after a performance of A Matter of Gravity. I had written asking if I could come back and to my utter amazement she wrote back and agreed. I had loved and admired her since I was barely into my teens and now here I was, at 22, standing with her in Baltimore. I was petrified. Indicating her letter, a copy of which I had brought with me to insure my admittance backstage, I began to mumble something like &quot;Miss Hepburn, I was so surprised...&quot; to get your letter, I meant to say. But before I could get out that last part, she laughed and asked: &quot;At my good manners?&quot; That broke the ice. Well, let&#039;s just say that it thawed it a bit. I was still shivering as we talked about the play and things that are very difficult to recall now, looking back 30 years later. But I remember how she sounded, which was - well, just exactly like Katharine Hepburn sounded! And how she looked, which was exactly as I&#039;d imagined she would, with her slightly disheveled upswept hair, dressed in her brown, sleeveless coat lining, blue, blue eyes fixed intently on me (as though I were the most fascinating thing to come her way that day; she was good at that). And I remember how kind she was to the quaking kid standing before her. And I&#039;ve never forgotten.</description>
		<content:encoded><![CDATA[<p>A national treasure honored in the National Portrait Gallery seems like an excellent fit to me. She was indeed fascinating and continues to be. In 1977 I met her backstage in her dressing room in Baltimore after a performance of A Matter of Gravity. I had written asking if I could come back and to my utter amazement she wrote back and agreed. I had loved and admired her since I was barely into my teens and now here I was, at 22, standing with her in Baltimore. I was petrified. Indicating her letter, a copy of which I had brought with me to insure my admittance backstage, I began to mumble something like &#8220;Miss Hepburn, I was so surprised&#8230;&#8221; to get your letter, I meant to say. But before I could get out that last part, she laughed and asked: &#8220;At my good manners?&#8221; That broke the ice. Well, let&#8217;s just say that it thawed it a bit. I was still shivering as we talked about the play and things that are very difficult to recall now, looking back 30 years later. But I remember how she sounded, which was &#8211; well, just exactly like Katharine Hepburn sounded! And how she looked, which was exactly as I&#8217;d imagined she would, with her slightly disheveled upswept hair, dressed in her brown, sleeveless coat lining, blue, blue eyes fixed intently on me (as though I were the most fascinating thing to come her way that day; she was good at that). And I remember how kind she was to the quaking kid standing before her. And I&#8217;ve never forgotten.</p>
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