June 30, 2009

FDR’s Stamp Design Funds Trip to Antarctica, Inspiring Hope Along the Way

FDR sketched the design for the 1933 Byrd Expedition stamp, photo courtesy of the National Postal Museum.

FDR sketched the design for the 1933 Byrd Expedition stamp, photo courtesy of the National Postal Museum.

A 44-cent stamp can carry a letter to the other side of the world. But can a stamp get a man to Antarctica and back?

President Roosevelt set aside time in his day to study his stamp albums.

President Roosevelt set aside time in his day to study his stamp albums.

In 1933, Franklin Delano Roosevelt thought a special stamp might stoke public support for the expensive expedition. In fact, Roosevelt, who was an avid stamp collector, was so convinced of it, he even put pencil to paper and drew out a design for the stamp himself. The president’s sketch, all squiggles and dashes, eventually became the 3-cent Byrd Antarctic Expedition II stamp, commemorating Rear Admiral Richard Byrd’s exploration of the South Pole by plane.

In the fall of 1933, stamp makers at the Bureau of Engraving and Printing presented FDR with four different designs for the Byrd stamp. Roosevelt rejected all of them. The president knew stamps. He began his own collection at the age of eight. And even as president, he managed to set aside at least 30-minutes of his day to tend his stamp albums. During his presidency, stamps became an important communication tool to impart hope and optimism.

FDR reject stampmakers designs and designed the Byrd stamp himself.

FDR rejected stamp makers designs and designed the Byrd stamp himself.

“Studies had revealed the impact on color on mood,” explains Smithsonian curator Cheryl Ganz, “and FDR applied this knowledge in the colors he chose for stamps.” Over the course of his presidency FDR would sketch out designs for five other stamps and had a direct influence on the artwork of every stamp issued (more than 200) between 1933 and 1945.

FDR’s rough sketch for the 1933 3c Byrd Antarctic Expedition II Stamp will be on view through June 2010, along with a rotation of the five other FDR sketches and stamps in a new exhibit, “Delivering Hope: FDR and Stamps of the Great Depression,” at the National Postal Museum. Highlights include some of FDR’s prize pieces from his stamp collection, as well as a number of his specialty tools that the hobby called for and more original sketches by FDR.

I spoke with Ganz about FDR’s stamp collecting habits.

Was this the first time a president had ever become so engaged in the making of stamps?

Yes, there were other presidents who were stamp collectors. For example, Herbert Hoover was a stamp collector. But FDR was the first president who took such a strong, personal interest in the postage stamp. And as a result, his postmaster general James Farley made sure that FDR approved every single stamp design before it went into production. So, he’s the only president, that I know of, who has ever done that for every single stamp.

How did FDR’s enthusiasm for stamps change the world of stamps and stamp collecting?

FDR had an incredible impact on stamps in multiple ways. First of all, what images would be on stamps, as well as, the design of the stamps. Everything from streamlining or simplification of design, to a lightening of color of design, and to how a stamp design was arranged in its graphic. So his affect on stamps was multiple. And he used stamp designs to sell his programs and to reinforce his role as president during this difficult time of the Great Depression.

Was this a good thing for the presidency?

Yes I think it was. He used stamp collecting as his stress buster. So first of all, in a very, very difficult time, very much like today, when we had so many problems at once, and no easy answers. After a demanding day, FDR would spend a half hour every night before he went to bed working on his stamp collection to just clear his mind before he’d go to sleep. So his hobby was incredibly useful so that he remained fresh at all times. And it also helped him as a life long learner. When we went into World War II, just from collecting stamps he knew every island in the Pacific—its location, its size, its population, its strategic importance. So as a life long learner the stamps added to his understanding of many, many things.

What’s the most intriguing stamp story of the FDR period? Did he have a significant impact on philately (the study of stamps)?

I don’t know if I have one intriguing story, but here’s one that I really like. He would put things on stamps to help people understand the programs of the new deal. For example, there is a stamp with Boulder Dam on it —today we know it as Hoover Dam. If you look at this stamp showing this huge dam, the first thing you think of is, oh my goodness, it put a lot of people to work to build that dam. But then you realize. oh my goodness, it’s creating electricity. So there are factories and businesses all able to benefit from this, and oh my goodness, it created irrigation for farmers so it’s helping the farming business out, too. It was a regional economic stimulus package much like the Tennessee Valley Authority at that time. While that may not be the most intriguing stamp story, I think it’s a good example of stamps coming in your mail and reinforcing all the positive things that the government was doing for you at that time.



Posted By: Jordan Steffen — Postal Museum | Link | Comments (2)




At New York City’s American Indian Museum, An Artist Questions the Meaning of the Museum

Izhitwaawin by Andrea Carlson, mixed media on paper, 2006, courtesy of the National Museum of the American Indian.

Izhitwaawin by Andrea Carlson, mixed media on paper, 2006, courtesy of the National Museum of the American Indian.

Picture an artifact. It could be a painting, an old wooden toy, a ceramic dish. Anything will do. Who made it, where does it come from, what’s its story? Typically, these are the questions that museum curators ask when they exhibit artifacts.

But, if you place that object in the middle of a vast room. Set it on a white pedestal, and light it to bring out its best qualities, does the artifact begin to lose its significance or its story? Does it gain a new meaning or become a new piece all together?

These are the questions mixed-medium artist Andrea Carlson asks visitors to ponder when they look at her works of art. The Minnesota-based artist’s works are a sharp commentary on museums and their collections. “The museum kind of becomes the storyteller,” Carlson says. “From an artist’s perspective, when we are collected; we feel a little bit consumed.” Carlson (Anishinaabe) has 20 pieces on display at the National Museum of the American Indian’s George Gustav Heye Center in New York City through January 10, 2010.

Carlson says she tries to avoid talking specifically about her culture. “People are interested, but they feel like they can’t participate. When I took a step back and started talking about cultural things in general, everyone started talking to me. Everyone had formed an opinion.”

“The conversation needs to happen within the museum,” Carlson adds. “Staff and curators are really open. It’s other people, the visitors, who are shocked. I like that. I think that’s a good thing. It’s healthy.”



Posted By: Lauren Hogan — American Indian Museum | Link | Comments (1)




June 29, 2009

Illegal Giant Beetles Come to the Smithsonian

One of the giant beetles discovered and seized by the U.S. Postal Service. (Courtesy of U.S. Department of Homeland Security.)

One of the giant beetles discovered and seized by the U.S. Postal Service. (Courtesy of U.S. Department of Homeland Security.)

Postal workers, like emergency room nurses, have one of those jobs where they see everything.

Americans are adamant about their right to send weird things through the mail: Wrapped bricks, coconuts, bags of sand and dead fish cross state lines every day.

But even employees at the Mohnton post office in Pennsylvania were surprised in May 2008 when they heard scratching coming from a box marked “toys, gifts, and jellies.”

Upon opening the package, the postal workers found 26 live, giant beetles, each big enough to sit in the palm of your hand. The species, native to Asia, included Hercules, elephant and giant stag beetles.

The recipient, 36-year-old Marc T. Diullo, pleaded guilty to purchasing and importing the beetles without a permit. According to news reports, he told the judge that he has collected insects since sixth grade. ”I’m just a very inquisitive type of person—very curious,” he is reported to have said.

Diullo’s curiosity will now be shared with the entire nation. Last week, the rare and exotic beetles, long dead, were donated to the Smithsonian for its educational programming. According to David Furth, a Smithsonian entomologist at the National Museum of Natural History, the specimens will demonstrate animal diversity to the public.

Furth also emphasizes that importing foreign beetles, even as a hobby, carries environmental risks. “Illegal import of live organisms poses potential threats to agriculture through opportunities for them, their parasites or diseases to invade crops and to spread to other potential hosts in the United States,” he says.

The beetles will be kept in the Natural History Museum’s entomology collection.



Posted By: Joseph Caputo — Natural History Museum | Link | Comments (0)




Smithsonian Events for the Week of June 29-July3: Apollo 11, Attilla the Hun, Animals and More!

Neil Armstrong and Buzz Aldrin's spacesuits from the 1969 Apollo 11 mission. Photo by Eric Long. Image courtesy of the National Air and Space Museum.

Monday, June 29: Mondays with Miss Anita: Flights of Fancy—Stories for Children

Come sit with Miss Anita and hear stories about famous aviators, hot-air balloon flights, trips to Mars, characters visible in the night sky, or creatures that have their own wings. Free. Air and Space Museum,, 11:30 AM

Tuesday, June 30: Attila the Hun and the Fall of Rome

Attila the Hun is the stuff of legend and, over a thousand years after his death manages to crop up in contemporary popular culture, from the films of Fritz Lang to Monty Python Comedy sketches and even the latest Night at the Museum movie. Come hear professor of ancient history and fellow of Corpus Christi College Christopher Kelly talk about Attila’s role in the fall of the Roman Empire. Book signing follows lecture. Tickets are required. Rates are: $25, general; $15, members. Call 202-633-3030 to order tickets. Ripley Center, 12:00 PM

Wednesday, July 1: Apollo 11 40th Anniversary: Apollo and the So-Called Moon-Landing Hoax: Ask an Expert

Forty years after the moon landing, there are some out there who adamantly believe that the whole thing was a big hoax. Come listen to Roger Launius of the Air and Space Museum’s Space History Division discuss the conspiracies surrounding this landmark event. Free. Air and Space Museum, 12:00 PM

Thursday, July 2: Artful Animals and Storied Stamps

Come by the National Postal Museum where you can explore Africa and learn about the art of stamp design. Afterwards, be sure to check out the exhibit Delivering Hope: FDR and the Stamps of the Great Depression. Free. For persons aged 5-15. National Postal Museum, 10:30 AM. This event repeats today at 1:30 PM

Friday, July 3: Native Skate Jam

Come enjoy the antics of the latest generation of Native American skateboarders and learn why this pastime is becoming such a popular sport in Indian Country. Free. American Indian Museum, 12:00 PM. This event repeats today at 2:00 PM






June 28, 2009

Folklife Festival Events for Sunday, June 28

New York City-based poet Toni Blackman. Image courtesy of the Smithsonian Institution.

Events are divided by each of the three cultures featured at this year’s festival—Giving Voice, Las Americas and Wales—and subdivided by the pavilion where the event takes place. Don’t forget to get your festival map so you can plan your day! After today, festival events will resume on July 1.

GIVING VOICE

28-Jun-09

Barbershop/Beauty Parlor

11:00 AM-12:00 PM Beauty Tales with Holly Bass and Christylez

12:00 PM-1:00 PM Storytelling with Brother Blue, Len Cabral, and Baba Jamal Koram

1:00 PM-2:00 PM Storytelling with Nothando Zulu and Mitch Capel

2:00 PM-3:00 PM The Barbershop/Beauty Parlor Humor with Phyllis Stickney and James Hannah

3:00 PM-4:00 PM Hair Stories with Len Cabral, Toni Blackman, and Sankofa

4:00 PM-5:00 PM Storytelling with Dylan Pritchett and Tejumola Ologboni

5:00 PM-5:30 PM

Radio Station

11:00 AM-12:00 PM Gospel Radio in the Black Community

12:00 PM-1:00 PM Vintage Black Radio

1:00 PM-2:00 PM The Next Generation of Black Radio with Documentary by Jacquie Gales Webb

2:00 PM-3:00 PM The Persona of the Black Deejay

3:00 PM-4:00 PM The Power of Black Radio in the Black Community

4:00 PM-5:00 PM Me and My Radio

5:00 PM-5:30 PM

The Oratorium

11:00 AM-12:00 PM Comedy with Branice McKenzie and Phyllis Stickney

12:00 PM-1:00 PM Storytelling with Charlotte Blake-Alston and Tejumola Ologboni

1:00 PM-2:00 PM Poetry with Toni Blackman and Kenny Carroll

2:00 PM-3:00 PM Theater with Holly Bass

3:00 PM-4:00 PM Storytelling with Diane Ferlatte and Mitch Capel

4:00 PM-5:30 PM Tribute to Ella Jenkins

The Stoop

11:00 AM-12:00 PM Poetry with Tonya Matthews and Kenny Carroll

12:00 PM-1:00 PM Drama with Christylez

1:00 PM-2:00 PM Stoop Stories with Tonya Matthews, Sankofa, and Dylan Pritchett

2:00 PM-3:00 PM Storytelling with Nothando Zulu and Diane Ferlatte

3:00 PM-4:00 PM Stoop Stories with Baba Jamal Koram and Brother Blue

4:00 PM-5:00 PM Humor with Phyllis Stickney and James Hannah

5:00 PM-5:30 PM

Young Wordsmiths

11:00 AM-12:00 PM Hot Topic Cheer Squad

12:00 PM-1:00 PM

1:00 PM-2:00 PM Hot Topic Cheer Squad

2:00 PM-3:00 PM

3:00 PM-4:00 PM

4:00 PM-5:00 PM Poetry Slam

LAS AMERICAS

Caseta de Leandro-accordion

11:00 AM-11:45 AM

11:45 AM-12:35 PM Merengue Típico

12:35 PM-1:25 PM Joropo Oriental

1:25 PM-2:15 PM Texmaniacs

2:15 PM-3:05 PM Merengue Típico

3:05 PM-3:55 PM Texmaniacs

3:55 PM-4:45 PM

4:45 PM-5:30 PM Joropo Oriental

Folkways Salón

11:00 AM-11:45 AM Bomba y Plena

11:45 AM-12:35 PM Conjunto Tejano

12:35 PM-1:25 PM Son Jarocho

1:25 PM-2:15 PM Los Maestros del Joropo Oriental

2:15 PM-3:05 PM Grupo Vallenato

3:05 PM-3:55 PM Currulao

3:55 PM-4:45 PM Joropo Llanero

4:45 PM-5:30 PM Afro-Venezuelan Traditions: Grupo CUMACO

La Peña

11:00 AM-11:45 AM Women in Music: Challenges & Transformations

11:45 AM-12:35 PM Güiros, Güiras, Maracas & Guacharacas

12:35 PM-1:25 PM Rhythm Workshop

1:25 PM-2:15 PM Music and Community: Arpex

2:15 PM-3:05 PM Vocals Workshop

3:05 PM-3:55 PM Melodic Improvisation: Music & Song

3:55 PM-4:45 PM Accordion Workshop

4:45 PM-5:30 PM Paraguayan Harp

Patio de Patricia

11:00 AM-11:45 AM

11:45 AM-12:35 PM Viento de Agua

12:35 PM-1:25 PM Viento de Agua

1:25 PM-2:15 PM Grupo Cuero Madera y Costa CUMACO

2:15 PM-3:05 PM Las Cantadoras del Pacífico

3:05 PM-3:55 PM Grupo Cuero Madera y Costa CUMACO

3:55 PM-4:45 PM

4:45 PM-5:30 PM Las Cantadoras del Pacífico

Puesto de Arcadio-harp

11:00 AM-11:45 AM Arpa Paraguaya

11:45 AM-12:35 PM Grupo Cimarrón

12:35 PM-1:25 PM Grupo Cimarrón

1:25 PM-2:15 PM

2:15 PM-3:05 PM Son de Madera

3:05 PM-3:55 PM Arpa Paraguaya

3:55 PM-4:45 PM Son de Madera

4:45 PM-5:30 PM Arpex

Salón de Baile

11:00 AM-11:45 AM Grupo Cuero Madera y Costa CUMACO

11:45 AM-12:35 PM Conjunto de Arpa Grande: Arpex

12:35 PM-1:25 PM Paraguayan harp Marcelo Rojas & Alvaro Marazzi

1:25 PM-2:15 PM Joropo Llanero: Grupo Cimarron

2:15 PM-3:05 PM Bomba &Plena Viento de Agua

3:05 PM-3:55 PM Los Maestros del Joropo Oriental

3:55 PM-4:45 PM Merengue Tipico: La India Canela

4:45 PM-5:35 PM Son Jarocho: Son de Madera

WALES

Rugby Club

11:00 AM-12:00 PM Singer-Songwriters

12:00 PM-1:00 PM Stories with Music

1:00 PM-2:00 PM Harp and Voice

2:00 PM-3:00 PM Linda Griffiths, and Lisa Angharad

3:00 PM-4:00 PM Sild

4:00 PM-5:30 PM Parti Cut Lloi and Guests

5:30 PM-7:00 PM Fiddles

Story Circle

11:00 AM-12:00 PM Stories for Children

12:00 PM-1:00 PM Poetry in Welsh and English

1:00 PM-2:00 PM Welsh Lesson: Likes and Dislikes

2:00 PM-3:00 PM Poetry and Song

3:00 PM-4:00 PM Stories in Welsh and English

4:00 PM-5:00 PM Poetry about Welsh Identity

5:00 PM-5:30 PM Welsh Lesson: Colors

Taste of Wales

11:00 AM-12:00 PM Welsh Breakfast

12:00 PM-1:00 PM Bakestone and Cauldron Cooking

1:00 PM-2:00 PM Celtic Caribbean

2:00 PM-3:00 PM Wild Foods and Game

3:00 PM-4:00 PM Recipes from My Patagonian Grandmother

4:00 PM-5:00 PM Preserving in Wales

5:00 PM-5:30 PM Regional Specialties

The Square Mile

11:00 AM-11:45 AM My Square Mile: West Wales

11:45 AM-12:30 PM Reimagining Community: Community Media

12:30 PM-1:15 PM Working and Playing Outdoors: Sports

1:15 PM-2:00 PM Adapt, Reuse, Recycle: Music

2:00 PM-2:45 PM The Arts in Action: The Beautiful Lie

2:45 PM-3:30 PM Think Globally, Act Locally: Zero Carbon Wales

3:30 PM-4:15 PM Wales and the World: World to Wales

4:15 PM-5:00 PM Heritage Meets Innovation: Metal Work

5:00 PM-5:30 PM Planning for the Future: National Parks

Welsh Dragon

11:00 AM-12:00 PM Fiddles, Pipes, and Guitar

12:00 PM-1:00 PM Parti Cut Lloi

1:00 PM-2:00 PM Fiddles, Pipes, and Guitar

2:00 PM-3:00 PM Crasdant

3:00 PM-4:00 PM Welsh Dance Music

4:00 PM-5:30 PM The Hennessys

5:30 PM-7:00 PM An Evening of Welsh Song

Welsh Media

11:00 AM-12:00 PM

12:00 PM-1:00 PM

1:00 PM-2:00 PM

2:00 PM-3:00 PM

3:00 PM-4:00 PM

4:00 PM-5:00 PM

5:00 PM-5:30 PM



Posted By: Jesse Rhodes — Smithsonian Institution | Link | Comments (0)




June 27, 2009

Folklife Festival Events for Saturday, June 27

Ninth-generation Welsh potter Caitlin Jenkins. Photo courtesy of Caitlin Jenkins.

Events are divided by each of the three cultures featured at this year’s festival—Giving Voice, Las Americas and Wales—and subdivided by the pavilion where the event takes place. Don’t forget to get your festival map so you can plan your day!

Barbershop/Beauty Parlor

11:00 AM-12:00 PM Hair Stories with Victoria Burnett and Sankofa

12:00 PM-1:00 PM Storytelling with Sankofa and Phyllis Stickney

1:00 PM-2:00 PM Wit of the Barbershop with James Hannah

2:00 PM-3:00 PM Beauty Tales with Tonya Matthews and Diane Ferlatte

3:00 PM-4:00 PM Wit of the Barbershop with James Hannah

4:00 PM-5:00 PM Hair Stories with Charlotte Blake-Alston and Dylan Pritchett

5:00 PM-5:30 PM

Radio Station

11:00 AM-12:00 PM Women in Radio

12:00 PM-1:00 PM Me and My Radio

1:00 PM-2:00 PM The Persona of the Black Deejay

2:00 PM-3:00 PM Radio and Community: Giving Voice, Wales, Las Americas

3:00 PM-4:00 PM Me and My Radio

4:00 PM-5:00 PM Me and My Radio

5:00 PM-5:30 PM

The Oratorium

11:00 AM-12:00 PM Drama with Christylez

12:00 PM-1:00 PM Humor with James Hannah and Phyllis Stickney

1:00 PM-2:00 PM Poetry with Toni Blackman

2:00 PM-3:00 PM Storytelling with Dylan Pritchett and Victoria Burnett

3:00 PM-4:00 PM Storytelling with Baba Jamal Koram and Nothando Zulu

4:00 PM-5:00 PM Giving Voice Circle with Branice McKenzie

5:00 PM-5:30 PM

The Stoop

11:00 AM-12:00 PM Storytelling with Diane Ferlatte

12:00 PM-1:00 PM Poetry with Holly Bass

1:00 PM-2:00 PM Giving Voice to a Museum

2:00 PM-3:00 PM Poetry with Toni Blackman

3:00 PM-4:00 PM Drama with Christylez

4:00 PM-5:00 PM Storytelling with Len Cabral

5:00 PM-5:30 PM Storytelling with Brother Blue and Tejumola

Young Wordsmiths

11:00 AM-12:00 PM Hot Topic Cheer Squad

12:00 PM-1:00 PM Puppet Theater with Schroeder Cherry

1:00 PM-2:00 PM Hot Topic Cheer Squad

2:00 PM-3:00 PM Poetry Workshop with Kenny Carroll

3:00 PM-4:00 PM Puppet Theater with Schroeder Cherry

4:00 PM-5:00 PM Poetry Circle

5:00 PM-5:30 PM

LAS AMERICAS

Caseta de Leandro-accordion

11:00 AM-11:45 AM Merengue Tipico

11:45 AM-12:35 PM Merengue Tipico

12:35 PM-1:25 PM Las Estrellas del Vallenato

1:25 PM-2:15 PM Texmaniacs

2:15 PM-3:05 PM Texmaniacs

3:05 PM-3:55 PM Los Maestros del Joropo

3:55 PM-4:45 PM

4:45 PM-5:30 PM

Folkways Salón

11:00 AM-11:45 AM Afro-Venezuelan Traditions: Grupo CUMACO

11:45 AM-12:35 PM Las Estrellas de Vallenato

12:35 PM-1:25 PM Bomba y Plena

1:25 PM-2:15 PM Los Maestros del Joropo Oriental

2:15 PM-3:05 PM Paraguayan Harp

3:05 PM-3:55 PM Conjunto Tejano

3:55 PM-5:30 PM ENCUENTRO DE ZAPATEADO

La Peña

11:00 AM-11:45 AM Country Strings Workshop

11:45 AM-12:35 PM Globalization Challenges in Music

12:35 PM-1:25 PM Paraguayan harp

1:25 PM-2:15 PM Bajos Across Traditions

2:15 PM-3:05 PM Folkways Recordings Studio Session Stories

3:05 PM-3:55 PM African Roots in Music CUMACO

3:55 PM-4:45 PM Los Maestros del Joropo Oriental Workshop

4:45 PM-5:30 PM Vocal Styles Workshop

Patio de Patricia

11:00 AM-11:45 AM

11:45 AM-12:35 PM Grupo Cuero Madera y Costa CUMACO

12:35 PM-1:25 PM Grupo Cuero Madera y Costa CUMACO

1:25 PM-2:15 PM Las Cantadoras del Pacífico

2:15 PM-3:05 PM Viento de Agua

3:05 PM-3:55 PM

3:55 PM-4:45 PM

4:45 PM-5:30 PM Las Cantadoras del Pacífico

Puesto de Arcadio-harp

11:00 AM-11:45 AM Arpa Paraguaya

11:45 AM-12:35 PM Arpex

12:35 PM-1:25 PM Son de Madera

1:25 PM-2:15 PM Son de Madera

2:15 PM-3:05 PM Grupo Cimarrón

3:05 PM-3:55 PM Grupo Cimarrón

3:55 PM-4:45 PM Arpa Paraguaya

4:45 PM-5:30 PM Arpex

Salón de Baile

11:00 AM-11:45 AM Currulao Las Cantadoras del Pacifico

11:45 AM-12:35 PM Son Jarocho Son de Madera

12:35 PM-1:25 PM Conjunto Tejano Los Texmaniacs

1:25 PM-2:15 PM Conjunto de Arpa Grande Arpex

2:15 PM-3:05 PM Grupo Cuero Madera y Costa CUMACO

3:05 PM-3:55 PM Bomba y Plena: Viento de Agua

3:55 PM-5:30 PM BAILE Merengue Tipico La India Canela Las

WALES

Rugby Club

11:00 AM-12:00 PM Stories with Music

12:00 PM-1:00 PM Sild

1:00 PM-2:00 PM Wales Trivia

2:00 PM-3:00 PM Singer-Songwriters

3:00 PM-4:00 PM Harp and Voice

4:00 PM-5:30 PM Singer-Songwriters

5:30 PM-7:00 PM Parti Cut Lloi

Story Circle

11:00 AM-12:00 PM Stories for Children

12:00 PM-1:00 PM Poetry in Welsh and English

1:00 PM-2:00 PM Welsh Lesson: Who Are You?

2:00 PM-3:00 PM Stories Across Cultures: cross cultural with GV

3:00 PM-4:00 PM Welsh Songs and Stories

4:00 PM-5:30 PM Poetry Stomp

Taste of Wales

11:00 AM-12:00 PM Wild Foods and Game

12:00 PM-1:00 PM Soups with Spice

1:00 PM-2:00 PM A Twist on Welsh Tradition

2:00 PM-3:00 PM Bakestone and Cauldron Cooking

3:00 PM-4:00 PM Teatime in Welsh Patagonia

4:00 PM-5:00 PM Frugal Food

5:00 PM-5:30 PM Welsh Cheese

The Square Mile

11:00 AM-11:45 AM My Square Mile: Around Wales

11:45 AM-12:30 PM Heritage Meets Innovation: The Harp

12:30 PM-1:15 PM Think Globally, Act Locally: Convergence on Zero Conference

1:15 PM-2:00 PM Wales and the World: Patagonia and America

2:00 PM-2:45 PM Adapt, Reuse, Recycle: St. Fagans

2:45 PM-3:30 PM Lift Up Your Voice Singing Workshop

3:30 PM-4:15 PM Reimagining Community: Welsh Learners

4:15 PM-5:00 PM The Arts in Action: The Festival Site

5:00 PM-5:30 PM Planning for the Future: Medicine

Welsh Dragon

11:00 AM-12:00 PM Hennesseys, Linda Griffiths, and Lisa Angharad

12:00 PM-1:00 PM Welsh National Opera: West Wind

1:00 PM-2:00 PM Parti Cut Lloi

2:00 PM-3:00 PM Welsh Dance Music

3:00 PM-4:00 PM Crasdant

4:00 PM-5:30 PM Rehoboth Choir with Welsh National Opera

Welsh Media

11:00 AM-12:00 PM

12:00 PM-1:00 PM

1:00 PM-2:00 PM

2:00 PM-3:00 PM

3:00 PM-4:00 PM

4:00 PM-5:00 PM

5:00 PM-5:30 PM



Posted By: Jesse Rhodes — Smithsonian Institution | Link | Comments (0)




June 26, 2009

Weekend Events: The Welsh Table, Andean Music and a Treasure Hunt!

Ninth-generation Welsh potter Caitlin Jenkins. Photo courtesy of Caitlin Jenkins.

Friday, June 26: The Welsh Table Exhibition Tour

Curator Jill Piercy will take you on a tour of the new exhibit, The Welsh Table, and introduce you to the work of ten Welsh ceramists. Afterwards, go out and enjoy a taste of Welsh culture at the 2009 Folklife Festival. Free. Ripley Center, 2:00 PM

Saturday, June 27: Indian Summer Showcase: Andes Manta

Come enjoy the sounds of Andean mountain music courtesy of Andes Manta, a group comprised of brothers Fernando, Luis, Bolivar and Jorge Lopez. With an arsenal of 35 instruments they play traditional Andean music—an ancient indigenous art form that managed to survive even after hundreds of years of European occupation. Free. American Indian Museum, 5:00 PM

Sunday, June 28: Ghosts of a Chance

The Smithsonian American Art Museum takes scavenger hunting to a whole new level with Ghosts of a Chance, a multimedia experience that will have you scouring museum walls and uncovering hidden objects. Scavenger hunt takes approximately 90 minutes to complete. Groups of ten or more must make an appointment to play; contact GoodlanderG@si.edu to schedule.) Free. Register in the Luce Foundation between 2:30-6 PM. American Art Museum, 2:30-6 PM

To plan your visit or learn more about events and exhibitions at the Smithsonian, go to our companion site, goSmithsonian.com.






National Air and Space Museum Cameos in Transformers Sequel

The National Air and Space Museum's SR-71 Blackbird is really Jetfire in disguise. (Courtesy of iphotobucket user MustangPilot007.)

The National Air and Space Museum's SR-71 Blackbird is really Jetfire in disguise. (Courtesy of iphotobucket user MustangPilot007.)

The Smithsonian is having a blockbuster summer, thanks to two sequels.

In May, “Night at the Museum 2: Battle of the Smithsonian,” premiered. The first feature film to use the interior of the museums has grossed more than $100 million domestically, and continues to draw audiences.

Today, “Transformers: Revenge of the Fallen” hits box offices, and visitors to The National Air and Space Museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia, will be pleased to see heartthrob Shia Labeouf and a scantily-clad Megan Fox admiring the Enola Gray and other historical fight pieces as they search for a transformer hidden in the museum.

Not to give too much away, but at this point in the film, the stars’ characters are looking for someone who might be able to read an ancient robot language. They find their robot hiding as an out-of-commission Lockheed SR-71 Blackbird. (Learn more about the plane in this month’s Object at Hand.) Known as Jetfire, he turns out to be a bearded, cranky old-timer, who creaks when he transforms. “It’s sort of like arthritis,” director Michael Bay told Empire Magazine. Despite Jetfire’s bad attitude, and his previous identity as a decepticon (the villains of the Transformers universe), he is partially responsible for the movie’s climactic ending.

The SR-71 featured in the movie–filming was done on location at the museum–was a reconnaissance aircraft used by the military and NASA. In 1990, it took its final flight from Palmdale, California, to Chantilly, Virginia. Upon arrival, the Blackbird became a permanent addition of the National Air and Space Museum’s collection, going on display in 1993.

So, if you’re a fan of the Smithsonian, don’t miss this cinematic opportunity to watch a 50-foot tall robot blast a hole through the Udvar-Hazy Center’s side door.



Posted By: Joseph Caputo — Air and Space Museum | Link | Comments (1)



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