Sheila E. jokes that she slowed down for a few hours before stopping by the African Art Museum en route to a show Thursday evening at the Howard Theater. Photograph by Jessica Suworoff, National Museum of African Art, Smithsonian Institution

In high heels and flawless fashions, Sheila E. has been rocking the drums since she was a teenager growing up in Oakland, California. At 55, she’s still not slowing down. She’s collaborated with artists like Michael Jackson and Prince, toured the country and is currently working on a new album and autobiography, From Pain to Purpose, due out next year. In town for a show at the Howard Theater Thursday, May 16, she stopped by the African Art Museum for a performance with the Farafina Kan Youth Ensemble drummers. “I slowed down for a couple hours this morning,” she jokes about her hectic life.

It’s a pace and spirit that have become her signature no matter what genre she’s performing in. But those high energy concerts come with a cost. “It’s very demanding,” says the star who regularly ices her hands and feet after shows. “I just had a procedure done on my arm, my elbow and my wrist so it’s still painful to play,” she says. “It’s just things that happen from playing all of these years for so long but I love what I do.”

Sheila E. was born Sheila Escovedo, daughter of percussionist Peter Escovedo. Surrounded by a whole host of musical uncles and godfather Tito Puente, she picked up the drums at a young age. But, she says, “I didn’t know that music was going to be my career.” Instead, she had plans to be either the first little girl on the moon or an Olympic sprinter. Interrupting her training, she took to the stage to perform with her dad when she was 15. “And that changed my whole life.”

Her family and her hometown of Oakland provided precisely the kind of creative fertile ground she needed to experience all kinds of music. “My dad is totally the foundation of who I am,” says Escovedo. “He’s a Latin jazz musician, but he also brought different kinds of music into the house,” she says, adding that it’s this sort of artistic range that has helped her have such longevity in her career. Oakland also provided its own mix of music for the young artist. “I’ll tell you, it’s the best place to be born. I love D.C. but the Bay Area, oh my gosh.” Calling it a mecca for music with a rich variety of ethnicities, Escovedo cited the many bands that came from the area, including her uncle’s band, Azteca.

Though her father tried to persuade her at first to take up violin, he never let her think she couldn’t play the drums. “I grew up in a home where my parents never said that it was wrong to play because I was a girl,” says Escovedo. She remembers going to her friends’ houses and asking where all the percussion instruments were, thinking it was typical of all homes.

Once she got in the industry and began working with everyone from Marvin Gaye to Lionel Richie, she says she encountered some resistance as a female musician. But her parents told her, “Just do what you do, play from the heart, be on time, be early, learn your craft and when you get in there…be prepared so when you walk in you walk in with confidence.”

The Farafina Kan Youth Ensemble performed for Sheila E. before she jumped in to play along. Photo by Leah Binkovitz

After taking off her sparkling watch and ring, Sheila E. joined in. Photograph by Jessica Suworoff, National Museum of African Art, Smithsonian Institution

Anyone who’s seen her perform or watched her delight audiences during Drum Solo Week on the “Late Show with David Letterman” knows that she’s not wanting for confidence. She’s also not wanting for inspiration. The artist says she’s tried almost every genre of music, including polka, though she’s most well-known for her songs “The Glamorous Life” and “A Love Bizarre,” collaborations with Prince. With one country song under her belt, she says she’s now trying to encourage her friend Garth Brooks to record with her.

When she’s not writing books or in the studio, she likes to search YouTube for up and coming female percussionists. “There are more women percussionists, young girls playing now than ever,” says Escovedo, and that includes girls from her own Elevate Hope Foundation, which seeks to bring music and art to children who have been abused or abandoned to help them heal and communicate.

Contemplating what item she would donate to the Smithsonian if given the chance, she says it’s almost impossible to decide, despite a garage full of instruments. “The thing is, everywhere I go, if I pick something up, you know, that tube over there or this water bottle, I can play it as an instrument.”  In fact, she says, “On Michael Jackson’s album, the first one that he did, “Off the Wall,” he wanted me to come in and play this sound and to emulate it the only thing that I could think of was to get two water bottles, like two Perrier water bottles. I poured water in them to tune to the actual track, ‘Don’t Stop ‘Til You Get Enough.’” With two pieces of metal, she hit the glass. “So that’s me playing the bottles.”

After her show in D.C., Escovedo says it’s back to the studio to record a track for her album with Chaka Khan. “I say yeah, I’m going to slow down,” she says, but, “I get on stage and I get crazy. It’s in me. I’ve got to do it.”

Smithsonian’s annual Garden Fest will be held in the Enid A. Haupt Garden on Tuesday. Come learn about composting and worm farming! Photo by Kevin H., courtesy of Flickr Creative Commons

Friday, May 10: Garden Fest

How do you relate to the earth? In the garden outside of Smithsonian’s Castle, three African artists each recently completed a land art installation to explore issues of land use, environmental sustainability, hunger and humanity’s role on the planet. The installations are part of Earth Matters: Land as Material and Metaphor in the Arts of Africa, a new exhibition at the African Art Museum. Today, in celebration of the exhibition, Smithsonian’s annual Garden Fest will encourage families to consider their place on Earth, too, with art, composting, plant potting, worm farming and more. Role up your sleeves and get your hands dirty! Free. 11 a.m. to 7 p.m. Enid A. Haupt Garden.

Saturday, May 11: Super Science Saturday: Astronomy

Think you’re a space expert? Seen everything the Air and Space Museum has to offer? Then take a trip out to the Air and Space Museum’s Steven F. Udvar-Hazy Center near Dulles Airport, where thousands of aviation and space artifacts that take up too much room to be exhibited on the Mall are on display. On the second Saturday of each month (that’s today!), the museum holds demonstrations and hands-on activities that teach visitors about aviation and space exploration. Today’s theme should whet the space enthusiast’s appetite: Astronomy. Free. 10 a.m. to 3 p.m. Air and Space Museum Udvar-Hazy Center.

Sunday, May 12: Mendelssohn Piano Trio: Mother’s Day Tribute

Treat mom to some fantastic classical tunes this afternoon, courtesy of the Mendelssohn Piano Trio. The group—violinist Peter Sirotin, pianist Ya-Ting Chang and cellist Fiona Thompson—has played for audiences around the world for more than 15 years, and today will perform music by some of the best female composers. A question-and-answer session will follow the performance. Free tickets available in the G Street lobby beginning 30 minutes before the performance. 3 p.m. to 4:30 pm. American Art Museum.

Also, check out our Visitors Guide App. Get the most out of your trip to Washington, D.C. and the National Mall with this selection of custom-built tours, based on your available time and passions. From the editors of Smithsonian magazine, the app is packed with handy navigational tools, maps, museum floor plans and museum information including ‘Greatest Hits’ for each Smithsonian museum.

For a complete listing of Smithsonian events and exhibitions visit the goSmithsonian Visitors Guide. Additional reporting by Michelle Strange.

As part of the African Art Museum’s new exhibition opening on Earth Day, “Earth Matters: Land as Material and Metaphor in the Arts of Africa,” the museum invited for the first time ever four artists to take over the Enid A. Haupt Garden. We talked with curator Karen Milbourne about the results, as well as the art on view indoors at the museum.

Discussions of land art usually begins with the renowned American artist Robert Smithson of the 1960s and then skip across the pond to his European counterparts. Milbourne points out that “Africa is remarkably absent from the telling of these histories.” It is a mistake that stands corrected in the new exhibition with more than 40 artists representing 25 of Africa’s 55 nations. Milbourne says, earth as artistic subject and even material is the thread that connects each of the works, but one that is naturally occurring.

Concerns over land rights and environmental degradation appear again and again as well as more personal explorations of the human relationship to place. In selecting the works of art and the artists, Milbourne begins the story roughly around 1807, the year the international slave trade was outlawed, although by no means ended. “After decades of being stolen from one’s land, that was easing,” explains Milbourne. At the same time, colonization and mineral extraction began in earnest, again redefining interactions with the earth. Referencing the many ways Smithsonian experts conceptualize the “earth,” Milbourne divided the show into five parts, “Material Earth,” “Power of the Earth,” “Imagining the Underground,” “Strategies of the Surface” and “Art as Environmental Action.”

“De Money series no. 1″ a 2009 work by Nigerian photographer George Osodi depicts the dangers involved in the search for gold in Obuasi, Ghana. Image courtesy of the African Art Museum

So-called power objects from a Fon artist of Benin made in the early to mid-20th century reveal how the legacy of the slave trade entered into art. Small wooden figures are bound with cords like those used to restrain captives, but in this case, they tie the body to earthen materials, like plants and clay. These power objects were commissioned  and placed in the ground to protect their owners. Other works (above) document the dizzying realities of miners, who despite the dangers to their health from mercury exposure and other risks, continue to search for gold.

Finally, pieces like Younès Rahmoun’s Kemmoussa serve as small interventions through what the Moroccan artist calls aesthetic recycling. Taking the many discarded plastic bags that dot the landscape, Rahmoun twists and ties each into rows of tiny knots evoking the beads of a Muslim prayer chain. As with the rest of the works in the show, his work is a striking call to reflection.

“Earth Matters: Land as Material and Metaphor in the Arts of Africa” runs through January 5, 2014 at the African Art Museum.

Secretary G. Wayne Clough testified before Congress today about the effects of sequestration on the institution. Photo by Ken Rahalm, courtesy of the Smithsonian

On April 16, Smithsonian Institution Secretary G. Wayne Clough testified before the Committee on Oversight and Government Reform about the impending effects of sequestration. Though the Obama administration had sought a $59 million budget increase for the Institution in fiscal 2014, this year Clough has to contend with a $41 million budget reduction due to sequestration. Gallery closings, fewer exhibitions, reduced educational offerings, loss of funding for research and cuts to the planning process of the under-construction National Museum of African American History and Culture were listed among the impacts of the sequestration.

Clough began his testimony: “Each year millions of our fellow citizens come to Washington to visit—for free—our great museums and galleries and the National Zoo, all of which are open every day of the year but one. Our visitors come with high aspirations to learn and be inspired by our exhibitions and programs.”

“It is my hope,” Clough told the committee, “that our spring visitors will not notice the impact of the sequestration.” Perhaps most noticeable would be the gallery closures, which, while they would not close entire museums, would restrict access to certain floors or spaces in the museums, unable to pay for sufficient security. Those changes would begin May 1, according to Clough.

Clough warned, however, that while these short-term measures will save in the near future, they might also entail long-term consequences. Unforeseen costs may arise in the form of diminished maintenance capabilities, for example. “Any delays in revitalization or construction projects will certainly result in higher future operating and repair costs,” Clough said.

This also threatens the Institution’s role as steward of thousands of historic and valuable artifacts–”Morse’s telegraph; Edison’s light bulb; the Salk vaccine; the 1865 telescope designed by Maria Mitchell, America’s first woman astronomer who discovered a comet; the Wright Flyer; Amelia Earhart’s plane; Louis Armstrong’s trumpet; the jacket of labor leader Cesar Chavez,” to name a few.

Around the Mall will keep the issue updated and tweet significant closures.

Chinua Achebe died on Thursday, March 21. He is widely regarded as the father of modern African literature. Photo by Prachatai, courtesy of Flickr Creative Commons.

In a 1994 interview with the Paris Review, Chinua Achebe, the world’s most widely-read modern African author, said that recording a people’s history is not a one-man job. The Nigerian-born writer explained he wanted to paint a more accurate picture of African culture than the one portrayed by the white authors he read as a boy, growing up:

I was introduced to the danger of not having your own stories. There is that great proverb—that until the lions have their own historians, the history of the hunt will always glorify the hunter. . . . Once I realized that, I had to be a writer. I had to be that historian. It’s not one man’s job. It’s not one person’s job. But it is something we have to do, so that the story of the hunt will also reflect the agony, the travail—the bravery, even, of the lions.

Achebe, who died last Thursday, March 21, at 82, leaves behind a legacy of success in telling the other side of the story. His robust oeuvre includes critically acclaimed novels, poems and essays. His first and best-known novel, Things Fall Apart, required reading in schools across America, was translated into more than 45 languages, and sold more than 10 million copies worldwide.

The New York Times in its obituary calls Achebe a “towering man of letters.” Smithsonian’s African Art Museum curator Karen Milbourne says he offered “an exquisite window through which to understand a changing Africa at a time when what we now call the traditional was really not recognized as valuable.”

To honor Achebe’s work, Millbourne and fellow Smithsonian curator Bryna Freyer suggest five other recent and contemporary authors who share his task of recording the African experience:

Amos Tutuola (1920-1997), a Nigerian contemporary of Achebe’s, was a mostly self-taught writer who based his books on Yoruba folk tales. Freyer recommends his most acclaimed novel, The Palm-Wine Drinkard.

Wole Soyinka (b. 1934), also a Nigerian contemporary of Achebe’s, was the first person in Africa to be awarded the Nobel Prize in literature. He is best known for his poetry and plays, and Freyer recommends his 1975 play Death and the King’s Horseman.

Camara Laye (1928-1980), from Guinea, wrote some of the earliest major works in Francophone African literature. Freyer says check out The Radiance of the King, considered by Ghanaian-American writer Kwame Anthony Appiah to be “one of the greatest of the African novels of the colonial period.”

Dinaw Mengestu (b. 1978) is a Washington, DC-based American writer born in Ethiopia, says Milbourne. He has written two novels about the immigration experience, The Beautiful Things that Heaven Bears (2007) and How to Read the Air (2010), and received a MacArthur Foundation “genius grant” last year.

Abraham Verghese (b. 1955) is an Ethiopian-born physician and author of Indian heritage, says Milbourne. He has written two memoirs and a novel, all best sellers. The novel, Cutting for Stone (2009), follows twin brothers in Ethiopia during its military revolution and in New York, where one of them flees.

Chahārshanbe-Sūri, Iran’s Festival of Fire, falls on the Wednesday before the Persian New Year. Join in celebrating Iran’s unique New Year traditions this Saturday at the Freer and Sackler Galleries.

Friday, March 15: Movie Night!

Tired of $10 movie tickets? Smithsonian has three free films on tap tonight. Rebels with a Cause (2012, 72 min, USA, directed/produced by Nancy Kelly and Kenji Yamamoto; trailer here) tells the story of pioneer environmental activists who saved California’s coastline from suburban development in the 1950s. Market Imaginary (2012, 54 min, USA, directed by Joanna Grabski; trailer here) investigates Dakar’s Colobane Market, a major market in the West African city that is deeply embedded in the local economy and culture. Sympathy for Mr. Vengeance (2002, 129 min, Korea, directed by Park Chan-wook, Korean with English subtitles; trailer here), follows a hearing-impaired factory worker who turns to an illegal organ-trafficking ring to get a new kidney for his dying sister, then goes on a quest for vengeance when he is cheated. All films free. In respective order: 6:30 p.m., 7 p.m. and 7 p.m. at Anacostia Community Museum, African Art Museum and Freer Gallery.

Saturday, March 16: Persian New Year Celebration

When Americans celebrate their new year, they watch a ball drop. Persians jump over fire. Chahārshanbe-Sūri, the Festival of Fire, preludes Nowrūz, the Persian New Year, which welcomes the beginning of spring. Today, learn about Iran’s exciting new year traditions while enjoying Persian songs, dances, games and food. You can even practice some (fake) fire jumping of your own! Fun for the whole family. Free. 11 a.m. to 5 p.m. Freer and Sackler Galleries.

Sunday, March 17: Hok-Noth-Da Story Time for Families

Hok-Noth-Da–Did you hear? People often remember stories their parents told them for their entire lives. Because they make such an impression, stories are ways for families and cultures to pass down important lessons for generations. Today, a Native museum staff member passes down lessons from different Native communities throughout the Western Hemisphere by reading children’s stories by or about Native people. Open to children ages 4 to 8. Free. 11:15 a.m. to 12 p.m. American Indian Museum.

Also, check out our Visitors Guide App. Get the most out of your trip to Washington, D.C. and the National Mall with this selection of custom-built tours, based on your available time and passions. From the editors of Smithsonian magazine, the app is packed with handy navigational tools, maps, museum floor plans and museum information including ‘Greatest Hits’ for each Smithsonian museum.

For a complete listing of Smithsonian events and exhibitions visit the goSmithsonian Visitors Guide. Additional reporting by Michelle Strange.

Bette Davis and Henry Fonda star in Jezebel, the 1938 hit set in antebellum-era New Orleans. See it at the American History Museum this Friday. Photo courtesy of Flickr Creative Commons.

Friday, March 8: Jezebel

Beautiful dresses, high drama and plenty of southern drawl—it’s antebellum-era New Orleans on the big screen tonight in Jezebel, the 1938 black and white classic directed by William Wyler. Bette Davis stars as the haughty and temperamental Julie Marsden, whose fiancé (Henry Fonda) cancels their engagement when she behaves badly at a social event. Marsden attempts reconciliation, but learns that her ex-fiancé has taken a Yankee wife (Margaret Lindsay). Free. 7 p.m. screening, with a preceding discussion by NPR film commentator Murray Horwitz at 6:30 p.m. American History Museum.

Saturday, March 9: Africa in Motion

Rock the house at the African Art Museum in celebration of International Women’s Day today—the whole house. Artist Holly Bass coordinates a full-museum event in which performers lead spectators in a parade from the museum’s lowest level up to its ground-floor gardens. Song, poetry, dance and visual spectacles honor the strength and diversity of African women on the way. Free. 2 p.m. to 3 p.m. African Art Museum.

Sunday, March 10: Steinway Series: Left Bank Concert Series

Steinway’s D-274 concert piano is one of the world’s most celebrated instruments—so valued, in fact, that it was estimated ten years ago that more than 90 percent of concert grand pianos in the world are D-274s. At almost 9 feet long and more than 5 feet wide, and with a price tag of more than $100,000, it’s not a model you’re likely to come across in a friend’s living room anytime soon. Drop by the American Art museum this afternoon, though, and you can hear this magnificent instrument in action, under the hands of pianist Audrey Andrist. She joins clarinetist Paul Cigan and members of the Left Bank Quartet in performing Paul Moravec’s Pulitzer Prize-winning Tempest Fantasy, Janác˘ek’s String Quartet No. 1, “Kreutzer Sonata” and Dvo˘rák’s String Quartet in F, Op. 96, “American.” Free. 3 p.m. to 4:30 p.m. American Art Museum.

Also, check out our Visitors Guide App. Get the most out of your trip to Washington, D.C. and the National Mall with this selection of custom-built tours, based on your available time and passions. From the editors of Smithsonian magazine, the app is packed with handy navigational tools, maps, museum floor plans and museum information including ‘Greatest Hits’ for each Smithsonian museum.

For a complete listing of Smithsonian events and exhibitions visit the goSmithsonian Visitors Guide. Additional reporting by Michelle Strange.

Smithsonian in snow, circa 1977. Photo by Smithsonian Institution

Looking for something to do today, while the snowy weather conditions persist? The Smithsonian museums will be open for business today. But the National Zoo will be closed Wednesday, March 6, 2013.

Plan your visit, using our convenient Tours app, a free download is available here.

Let your horse sleep in today. Smithsonian museums don’t open until noon due to weather. Courtesy of Smithsonian Institution

Smithsonian museums in the Washington, D.C. area as well as the National Zoo will open at noon Monday, due to inclement weather.

An early morning round of freezing rain left roads slick with ice as federal workers and schools around the area got off to a slow start. Canada would like to remind us, via Huffington Post, that cold weather has some perks too, eh? Like making it more difficult for some viruses and bacteria to live. Plus you can effectively “wash” your bed linens by hanging them out in the cold. We’d recommend waiting for the rain to stop, though, before you give that a try.

Sites like Iran’s Persepolis are on world heritage lists, but that won’t spare them from harm during armed conflict. Organizations like the Committee of the Blue Shield help protect such sites. Photo by Elnaz Sarbar, courtesy of Wikimedia

After serving in the Army Reserve for 21 years, and working at the Minneapolis Institute of the Arts as a curator, Corine Wegener now travels the country training soldiers in cultural heritage preservation. As the founder of the U.S. Committee of the Blue Shield, Wegener covers everything from material science to museum organization to international law and often calls on Smithsonian curators and collections to help impress upon the soldiers the importance of the shared cultural items she calls touchstones. A unit preparing to deploy to the Horn of Africa, for example, received a special tour at the African Art Museum.

Now at the Smithsonian as a cultural heritage preservation specialist, Wegener’s played a critical role in the recovery of the National Museum of Iraq after devastating looting took place there during the war in 2003.

An estimated 15,000 items were stolen and the collection was in disarray. Former director general of Iraqi museums, Donny George Youkhanna, says ”Every single item that was lost is a great loss for humanity.” He told Smithsonian magazine, ”It is the only museum in the world where you can trace the earliest development of human culture—technology, agriculture, art, language and writing—in just one place.”

Many, though not all of the objects, have since been recovered and the museum reopened in 2009. But Wegener says recent experiences in Libya, Syria and now Mali show how much work there is left to do.

The 1954  Hague Convention helped create international guidelines for handling cultural property during armed conflict but it took the  Monuments, Fine Arts and Archives of WWII, who helped save some of Europe’s most iconic artifacts, as a model. How did that team from Civil Affairs manage to do that?

The very first line of defense for collections and monuments and historic places is the people that work there every day. Those are the people who are going to do an emergency plan, do a risk assessment, figure out what will we do if this collection is at risk, or if there is a disaster.

During World War II, a lot of collections were hidden away. They were moved to underground storage locations and this was all throughout Europe. In Italy for instance, they built a brick wall around [Michelangelo's] the statue of David. They completed de-installed the Louvre. . .It was protected, first of all, by the cultural heritage professionals who cared for those things every day and a lot of people risked their lives to hide these things from the Nazis, especially the sort of “degenerate” art that [the Nazis] were trying to destroy. When they decided, just prior to the invasion of Italy, that they would institute these Monuments, Fine Arts and Archives teams in the middle of the war, some of the other allied countries did this as well. They made maps to try and let the allied bombers know where some of these important places were.

They would try to avoid them, but of course, they didn’t have nearly as sophisticated targeting systems as we do today. And they also had the teams that would go out and advise the commanders and say, this is an important cathedral in the center of town, let’s try to avoid it. But often times it just wasn’t possible, there was still this doctrine of military necessity that if something had to go it had to go.

But Eisenhower put out this famous letter to his commanders on the eve of the invasion of Italy basically saying, yes, there may be military necessity but when you come across cultural heritage, you better be sure it’s a military necessity and not just laziness or personal convenience on your part. If you decide it needs to be destroyed, you’re going to answer to me.

A posting used by Monuments officers in Northern Europe in Italy during World War II to mark cultural sites. National Records and Archives Administration

A crew transports the Winged Victory of Samothrace from the Louvre Museum in Paris. Monuments Men Foundation

Lt. Gen. Omar N. Bradley, Lt. Gen. George S. Patton and Gen. Dwight D. Eisenhower inspect German collections stored in the Merkers mine. National Records and Archives Administration

What does Blue Shield do?

The Hague Convention is a really good plan but how do you execute it in reality? It says, avoid these cultural sites. Well, you can figure out a few because they’re on the World Heritage List but what about a contemporary museum building full of ancient collections, that’s not going to be on a World Heritage List? We don’t have a list like that, why do we expect these other countries to be able to provide that at a moment’s notice too?

It’s a goal that I think each country needs to work toward, but in the meantime, it feels a little bit like we’re scrambling when something happens like the Libya no-fly zone. We really had to scramble to put together something because otherwise they would have had very little information about what to avoid during that bombing. I think after that, the awareness is out there and there’s a lot more people out there working toward that goal now, which I think is really great.

Iraqi Col. Ali Sabah, commander of the Basra Emergency Battalion, displays ancient artifacts Iraqi Security Forces discovered Dec. 16, 2008, during two raids in northern Basra. Photo by United States Army

When you are in those scrambling situations, are the governments helping you?

No, and especially in a case like Syria or Libya, no, because the government is who they’re fighting against. What we try to do is, we go through the whole Blue Shield network. For instance, part of the Blue Shield international network is the International Council of Museums. They have contacts in their membership within these countries. They try to reach out to people. If they don’t work for the government, that might work. If they work for the Ministry of Culture, they may hesitate to cooperate with such a request because what if they are found out and get fired or get shot, it’s a big risk.

Our next level of queries are to our colleagues in the United States who excavate in those countries and they have a lot of information, often times GIS coordinates for archaeological sites in those countries and often they will also know at least some site information for museums, especially if they have archaeological contents. That’s why Smithsonian is such a great resource because you have so many people doing research in these various countries and have experience and contacts there where they can reach out in a more unofficial way to get information. People are often very willing to provide this information if they know that their identity is going to be protected and that it’s kind of as an aside to a friend. It’s a trusted network and we only provide the information on a need-to-know basis.

The Timbuktu manuscripts are some of the objects at risk during the current conflict in Mali. Photoy by EurAstro: Mission to Mali, courtesy of Wikimedia

What is the situation in Mali right now?

The big issue there right now is the intentional destruction of the Sufi tombs which the Islamic extremists see as against Islam because they’re seen as venerating a sort of god in the form of this Sufi mystic. They don’t think people should be making pilgrimages to these tombs. The Islamic manuscripts are really important also but so far I have not heard of any instances where they’re being destroyed and my understanding is that they’ve been kind of spirited away to various locations and that’s a good thing. That’s exactly what happened in Baghdad too, some of the more important Islamic manuscripts were hidden away in various mosques and homes and that’s what kept them from the looters.

What is the toughest part of the job?

One of the toughest things in a situation like that is to work with the owners of the collection, be it a private non-profit foundation or a gallery or a country like a ministry of culture, to get them to think about prioritizing the damaged collections and to quickly commit to what they want to do first. It’s like asking people to choose their favorite child.

People ask the question, how can you worry about culture when there are all these people dead or homeless and suffering? What I learned in my travels in going to Baghdad and Haiti and other places is that that’s not for you to decide. That’s for the people who are effected to decide. Without a doubt, every place I have been, it’s been a priority for them…I was thinking about this the other day when somebody asked me this question for the millionth time and I thought, it’s always an American who asks that question. I have never been asked that by somebody on the ground when I’m working.

More than 4,000 years old, the Warka Mask, also known as the Lady of Warka and the Sumerian Mona Lisa, was one of the objects stolen from the National Museum of Iraq. Courtesy of Wikimedia

Do you have a personal triumph, an object you’re personally proud of that you can point to and say I helped save that and we’re better for it?

I don’t know how much personal credit I can take for it, but my favorite save is getting back the head of Warka in Iraq. The military police unit that was working in the area recovered it in a raid. They were looking for illegal weapons and objects that had been looted from the museum. They caught one guy who had a couple of museum objects and he said, if you let me go, I’ll tell you who has the most famous object in the Iraqi national collection, the head of Warka. They found it and called me up. They brought it to the museum the next day and we had a huge press conference to celebrate the return. People call it the Mona Lisa of Mesopotamia and seeing that come back was one of the highlights of my life. The museum just completely had an about-face. Everybody became motivated again to get things back in order, it was great.

Update: Though it was initially believed, according to reports from the Guardian, that many of the manuscripts housed in Timbuktu may have been burned by extremist militants, later reports from the New York Times indicated that the manuscripts had instead been successfully hidden.

Today, President Barack Obama will take the oath of office for his second term. Courtesy of the White House, 2009

Inauguration day, it’s finally here, along with millions of visitors looking to take in some uniquely D.C.-culture. While our special presidents tour from our visitors guide app will keep you exploring in your spare-time, this post is all about the when, where and how of January 21. Plus, a few select events happening around the Smithsonian, you know, in between the whole inauguration thing.

Hours

On Inauguration Day, January 21, Smithsonian museums on the National Mall are open 10 a.m. to 5:30 p.m. A few museums will open early—the Castle opens at 7:30 a.m., Sackler Gallery, Freer Gallery, Hirshhorn and African Art open at 8 a.m. Mall entrances on the south side will be closed. Visitors will be asked to use the Independence Ave. entrances.

The American Indian Museum and the Renwick Gallery are closed January 21.

The Smithsonian American Art Museum and the National Portrait Gallery are open from 11:30 a.m. to 7 p.m.

The Luce Center at the Smithsonian American Art Museum and the Lunder Conservation Center will be closed Sunday, January 20.

Street Closings

Most streets around the National Mall—including Independence and Constitution avenues and Jefferson and Madison drives—will be closed Monday, January 21.

Metro

The Archives, Smithsonian and Mt. Vernon Square stations will be closed Sunday, January 20 to Monday, January 21, midnight to 5:30 p.m. All other stations will open Monday, January 21 at 4 a.m.

Parking

No Parking on the National Mall after 6 p.m. on Sunday, January 20.

Restrooms

All museums, open to the public during designated hours, have accessible restrooms

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You know how it goes: Now that you’ve been sworn in, what are you going to do? I’m going to the Smithsonian! Courtesy of Wikimedia

Select Events

Live broadcast of the swearing-in ceremony in Flag Hall in American History Museum, beginning at 11:30 a.m. A live broadcast will also begin at 11:30 a.m. at the African Art Museum.

Inaugural theme walk-in tours, Monday, January 21, 12:30 p.m. and 2 p.m. at the American Art Museum.

For “Super Sonic Weekend: Sounds and Songs of the American Presidency” (all day Monday), Smithsonian Folkways Recordings is streaming audio recordings related to the American presidency, from a 1757 campaign song used by George Washington in his first race for the Virginia House of Burgesses, to presidential speeches and much more.

Tour America’s Presidents at the National Portrait Gallery at 1:00 p.m. and 3:30 p.m.

Select Exhibits

At the National Portrait Gallery: ”Portrait of President Barack Obama” The original artwork, a hand-finished collage by artist Shepard Fairey, from President Barack Obama’s 2008 campaign is on view January 19 – 22. The work is joined by two larger-than-life tapestry portraits of the president by artist Chuck Close.

At the American Indian Museum: ”A Century Ago: They Came as Sovereign Leaders” This photo exhibition focuses on President Theodore Roosevelt’s 1905 inaugural parade and the six great chiefs who participated in the parade arriving with their own purposes in mind and representing the needs of their people.

At the National Museum of African American History and Culture Gallery in the American History Museum: Changing America: The Emancipation Proclamation, 1863, and the March on Washington, 1963″ In 2013 the country will commemorate two events that changed the course of the nation-the 1863 Emancipation Proclamation and the 1963 March on Washington. Standing as milestone moments in the grand sweep of American history, these achievements were the culmination of decades of struggles by individuals – both famous and unknown – who believed in the American promise that this nation was dedicated to the proposition that “all men are created equal.”

For a step-by-step guide to the greatest presidential hits in the collections, download the FREE app for your smartphone.

Be in the know with our free visitors app, specially made for the inauguration.

The votes have been cast and counted, the campaign offices have been packed up. But things are just getting started in D.C. as the city prepares for a rush of excitement for Barack Obama’s second inauguration, January 21. More than a million people sought a spot near the Capitol to witness his first inauguration in 2009. For his second, Obama is sure to bring out the crowds again and all of D.C. is gearing up for inauguration day, from hotels to restaurants, including Ben’s Chili, which expects to serve 1,000 gallons of its famous chili the week of Obama’s swearing in, according to NBC.

You might not be running for office any time soon, but you can still win big this weekend with the help of our editors.

Conveniently situated around the Mall, the Smithsonian offers a wealth of presidential pomp and history to help get you up to speed for the big day, from Bill Clinton’s saxophone to Thomas Jefferson’s desk. Since this is the land of the free after all, we’ll be offering our custom inauguration-themed app for most smartphones for free with step-by-step tours to the best of the collections and exhibits. The tour includes stately highlights at the American History Museum, Natural History Museum, American Indian Museum, National Portrait Gallery and American Art Museum. From the gowns of inaugural balls past to the hall of presidential portraits, the tour will get you geared up for the festivities.

Info, tours and artifacts, all at your fingertips.

Try on some truly presidential duds with our digital postcard featuring George Washington’s uniform.

Museum by museum, step by step, you can’t take a wrong turn here.

A must-see stop on the tour: Shepard Fairey’s iconic portrait of Barack Obama at the National Portrait Gallery.

On Jan. 21, all Smithsonian museums will operate on their normal schedules, with the following exceptions:
•             The Renwick will be closed.
•             The National Museum of the American Indian will be closed because of its proximity to the swearing-in ceremony.
•             The Castle will open at 7:30 a.m.
•             The Hirshhorn, the Ripley Center, the National Museum of African Art, and the Freer and Sackler Galleries will open at 8 a.m.

The museums on the south side of the National Mall will be accessible from Independence Avenue only. The museums on the north side of the National Mall will be accessible from both Madison Drive and Constitution Avenue.

More good news, the bathrooms will be available. And if you’re feeling peckish, you can get food at the Air and Space Museum (McDonald’s McCafe, Boston Market and Donato’s Pizza), Natural History Museum (Atrium Cafe, Cafe Natural and Fossil Cafe), American History (Stars and Stripes Cafe and Constitution Cafe) and the Smithsonian Castle’s Cafe and Coffee Bar.

For more information on the when, where and how to get there, view our inauguration at the Smithsonian page.

And if the inauguration tour leaves you curious about what else the Smithsonian has to offer, upgrade to our full visitors guide for just 99 cents. The app includes interactive postcards (starring you wearing the Hope Diamond or Dorothy’s Ruby Slippers, or other fun items from the collections) as well as custom tours for history buffs, art lovers and even a three-hour tour for the brave of heart and swift of feet. One of our own former interns tried to conquer the tall task:

The films of Ang Lee continue at the Freer with his 1993 comedy, The Wedding Banquet. Courtesy of the gallery

Friday, November 30: Africa and the World’s Space Programs

In conjunction with the African Art Museum’s out-of-this-world exhibit “African Cosmos: Stellar Arts,” astrophysicist Jonathan McDowell discusses Africa’s involvement in the world’s space programs. Starting from the continent’s early history charting and investigating the stars, McDowell tracks a long relationship into modern times. Though Ghana’s Space Science and Technology Centre, for example, only has a handful of employees, the country is optimistic about its future in the industry. According to the BBC, countries like Nigeria and Ghana are hoping to use their space centers for “natural-resource management, weather forecasting, agriculture and national security.” Free. 4 p.m. African Art Museum.

Saturday, December 1: Classical Arab and Andalusian Music: Vocalist Karima Skalli, with the Al-Bustan Takht Ensemble

In the midst of the Sackler’s 25th anniversary celebrations, the gallery has found time to host the “next great diva of Arab music,” Karima Skalli. Joined by Hanna Khoury (violin), Kinan Abou-afach (cello), Hicham Chami (quanun), Kinan Idnawi (oud) and Hafez El Ali Kotain (percussion); Skalli will perform traditional and contemporary favorites from the Arab Peninsula in honor of the gallery’s groundbreaking exhibit, “Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia.” Free. 7:30 p.m. Freer Gallery.

Sunday, December 2: The Wedding Banquet

Another Ang Lee classic, The Wedding Banquet, tells the story of a gay Taiwanese man living in New York who finds himself in the middle of his own wedding celebrations after agreeing to marry a woman to secure a green card for her. Like many of his films, Lee succeeds in showing the tensions and strengths family inevitably brings. The comedy was a surprise hit for Lee, delighting audiences when it came out in 1993. Nearly ten years later, it still resonates. The series of screenings continues on Dec. 7 with Lee’s even more famous, Eat, Drink, Man, Woman. Free. 3 p.m. Freer Gallery.

The Sant Ocean Hall at the Natural History Museum is just one of the many attractions to be enjoyed this holiday weekend. Photo by Chip Clark. Courtesy of the Smithsonian

If you think your house is going to be packed for Thanksgiving, imagine the crowds at a Smithsonian museum. According to the Washington Post, the museums had 418, 000 visitors over the holiday weekend in 2010. Though that number dipped in 2011, the institution is still gearing up for a full house.

To help visitors navigate their way through the 19 museums and National Zoo, Smithsonian will be fielding questions before and during the holiday on its Twitter page. Just follow @smithsonian and use the hashtag “#TgivingVisitTips” to stay up to date. Veteran visitors will also post their own tips with the hashtag, including, “1) eat at@SmithsonianNMAI 2) take a pic at @NMAAHC site for posterity 3) comfy shoes” by Erin Blasco.

Here are some of our own insider tips, from our Greatest Hits guide (now available on your smart phone!):

Smithsonian Institution Building, The Castle: Your first stop for all things Smithsonian, the Castle is home to the information center where you can scope out all the current exhibits around the Mall, including the Castle’s own exhibit, “Experience Civil War Photography: From the Home Front to the Battlefront.” You can also pay your respects to the founder, James Smithson, who lies at rest in the crypt in the building’s foyer.

National Portrait Gallery: With several new exhibits and a host of permanent favorites, there’s plenty to take in at the gallery (like Alexander Gardner’s famous cracked glass plate portrait of Abraham Lincoln), including the building itself. On the third floor in the Great Hall, is an architectural gem that shouldn’t be missed. The yellow, blue and red stained-glass windows in the octagonal dome, dating to 1885, cast lush hues on sunny days.

American Art Museum: Housed in the same building as NPG, is the American Art Museum, which just opened its splendid new exhibit “The Civil War and American Art,” which is sure to draw crowds. The museum even had its own role in the Civil War: On the third floor near the Woman Eating sculpture, the initials C.H.F. are scrawled on the wall. The work of some hipster tagger? No, the graffiti artist also put a date: “Aug. 8, 1864.” Likely it was left by a patient; the building was a Civil War infirmary.

Steven F. Udvar-Hazy Center: Not quite on the Mall, the Udvar-Hazy Center (in Chantilly, Virginia—near Dulles Airport) is home to a world-famous collection of aircraft a space vehicles, including the Air France Concorde and the space shuttle Discovery. After seeing those beauties, tell the kids to check this out. Look for seven hidden oddities in the model of the mother ship made from the film Close Encounters of the Third Kind. These were internal Hollywood jokes that weren’t part of the script. Hint: One is R2-D2 from the movie Star Wars.

Air and Space Museum: The world’s most-visited museum, Air and Space has everything from moon rocks to the Wright flyer. But how did they get it all in there? Look closely at the large window on the west side of the building. The glass slide away like giant garage doors.

American History Museum: Next up from the big three, American History, where even celebrities like Parks and Rec‘s Councilwoman Leslie Knope (Amy Poehler) like to hang out. In addition to the brand new exhibit “FOOD: Transforming the American Table 1950-2000″ with Julia Child’s kitchen, you’ll also want to stop by the first floor for the Dolls’ House. Inside the house, inhabited by Peter Doll and his family, Christmas decorations are kept in the attic. Each holiday season, curators retrieve the tiny tree and wreaths and decorate the house.

Anacostia Community Museum: After an extensive research process, the museum recently opened its exhibit “Reclaiming the Edge: Urban Waterways and Civic Engagement” as part of its efforts to reach out to the community. Comparing waterways in L.A., Pittsburgh, Louisville, London, Shanghai and here in D.C., the exhibit is full of artworks and informative displays. Check out the playful piece Talking Trash, kinetic sculpture of fish made from plastic water bottles.

Natural History Museum: The grand dame of the big three museum, Natural History is famous partly for housing the “cursed” Hope Diamond. But it’s not all sparkle and shine. Heard of donating your body to science? Professor Grover Krantz volunteered to be put on display at the Smithsonian–with his dog. “I’ve been a teacher all my life, and I think I might as well be a teacher after I’m dead,” he said. Find the pair on the second floor.

American Indian Museum: What better time to visit the American Indian Museum than November, American Indian Heritage Month? In addition to its award-winning cafe and engaging exhibits, it has a treat for those who know where and when to look. Watch for the lovely play of light in the Potomac Atrium. Eight prisms on the south wall project refractions on the floor. See them at the peak of their brilliance between 11 and 2. On the summer and winter solstice, the light lines up precisely.

Freer Gallery: Amid the jades and bronzes from Asia, a fierce fight is playing out. The two birds depicted squawking in battle on the back wall of Whistler’s Peacock Room represent a real-life contretemps between the artist and his patron over a disputed fee for the artwork.

Sackler Gallery: With a new blockbuster exhibit, “Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia,” the Sackler is as busy as ever. This year, the Sackler celebrates its 25th anniversary of the 1987 gift of some 1,000 works of Asian art from Arthur M. Sackler (1913-1987), a New York City physician.

Hirshhorn Museum: Contemporary art lovers will be filling the circular gallery space to check out Barbara Kruger’s installation and the new exhibit, “Ai Weiwei: According to What?” But you’ll be headed outside. Ready for a little covert operation? Check out the sculpture Antipodes just outside the front door. The piece has two encoded texts, one related to C.I.A. operations and the other in Cyrillic related to the K.G.B.

Museum of African Art: The current exhibit, “African Cosmos: Stellar Arts” is out of this world, combining science and the arts over time. Our insider tips combines its own bit of science and art. Check out the sculpture of Toussaint Louverture. It is made of a mysterious substance that the artist also used to waterproof his house.

Renwick Gallery: Just a few steps from the White House, the Renwick is a must-see in its own right, listed as a National Historic Landmark. Up the stairs is one of the city’s premier galleries, the Grand Salon, modeled in the French Second Empire style.

National Postal Museum: A stamp collection that can’t be beat, including the first ever U.S. government-issued stamp from 1847, is just the start of the Postal Museum. This building was designed by Daniel Burnham, the protagonist of the best-seller Devil in the White City.

National Zoo: In addition to the cuddly cuties on display, the Zoo is also launching this year’s seasonal display, ZooLights, Friday, November 23. As you wander through the animals, listen for the morning songs of the white-cheeked gibbons. They can be heard up to one mile away.

Don’t forget to download our Visitors Guide and Tours app. We’ve packed it with specialty tours, must-see exhibitions, museum floor plans and custom postcards. Get it on Google Play and in the Apple Store for just 99 cents.

Courtesy of Flickr user Bruno Bollaert.

Even if Mozart’s generation had worn porkpie hats instead of powdered wigs, pianist Jason Moran doubts he would  have opted for a classical music career over jazz.

Though he finds the European classical music that he has studied since age six artistically beautiful, it doesn’t move him emotionally the way jazz does, he says.  Jazz, America’s classical music, has a sound he can relate to, a cultural history he can identify with, and role models, who have inspired him since he was a teen growing up in Houston.

“For me Thelonious Monk became the mountain top,” he says.

Now as Artistic Advisor of Jazz at the Kennedy Center for the Performing Arts, the MacArthur Genius Award winner is drawing on those memories to make jazz both personal and emotionally engaging for a new generation.

Joann Stevens is the program manager for Jazz Appreciation Month and a regular contributor to Around the Mall.

Making music relevant so that it touches people where they live was a focus of a recent Kennedy Center happening, “Insider Event with Jason Moran,” that offered insight into Moran’s aspirations for jazz music and education programming at the Kennedy Center, a role previously held by his mentor, the late jazz pianist Billy Taylor.

“Billy would ask, ‘are you making people dance?  Are people listening to your music, Jason?’” he recalls Taylor saying to encourage him to stay attuned to the needs and feelings of his audiences.

If music is a universal language, Moran is an articulate, multi-linguist,  providing the right sound for the occasion.  At the historic groundbreaking  on the Mall for the National Museum of African American History and Culture in February 2012,  Moran performed as the jazz artist of choice.  Throughout the Kennedy Center discussion, his words and thoughts flow effortlessly between his responses to interviewer Willard Jenkins and the piano Moran plays to musically punctuate points.

“Music is more than notes.  It’s emotions,” says the 37-year old.  Younger audiences crave emotional engagement in their learning.  People remember music that touches them, is generationally relevant, and emotionally stimulating.  He offers examples.

After his grandmother died, he says he paid homage to her spirit musically at a family gathering, playing Duke Ellington’s tune Single Petal of a Rose. As the artist spoke, the room filled with the sound of the beautiful, haunting melody as Moran’s improvisations evoked memories of his grandmother.

“I knew which notes I played were making my aunts cry,” Moran remembers.  He talked to his family by letting the music speak words his voice couldn’t.

On election night, he hosted a party at the Kennedy Center’s Millennium Stage.  Revelers talked and watched the returns on a big screen while grooving to live, jazz infused with everything from blue grass to electronic mix music to old campaign songs like “You Ain’t Seen Nothing Yet or Crazy, which was Ross Perot’s theme song,” Moran says, playing the tunes.

The idea was to create a memorable experience that made jazz, campaign music, and political tidbits a winning combination.

Another recent jazz program featured the band Medeski, Martin and Woods offering a millennial happening as more than 300 people stood for hours in a mosh pit environment connecting with jazz infused this time with rhythms from funk to hip hop. An “older” patron who attended wanted a chair, says Moran, but still got the point.

A recent music event invoked the spirit of vaudeville and bygone jazz club scenes when Woody Allen played the Village Vanguard and Miles Davis shared a bill with Richard Pryor.  Billed as an ode to  jazz and jokes, comedian David Allen Grier hosted the program that used comedy as a connector to the music.

With cultural tastes that run from Fats Waller to hip hop, Afrika Bambaataa and Jaki Byard to his wife Alicia, an accomplished opera singer, Moran says he views himself as a “musical tour guide” offering people “musical history that is very personal and engaging.”

If he has his way, jazz programming at the Kennedy Center will become a musical tour de force, reflecting the multiple joys and sorrows that comprise the lives of everyday peoples.