May 9, 2013
Recognizing everything from landscape architecture to fashion, the 2013 Cooper-Hewitt Design Awards recognize the best in design. Some names, like this year’s winner for Corporate and Institutional Achievement, TED, are familiar, while others may be new to most.
Within academic circles, for example, Michael Sorkin is a well-known architecture and planning critic and professional whose texts show up on college syllabuses across the country. His 2011 All Over the Map: Writing on Buildings and Cities takes on his own New York City, including the controversial Ground Zero Memorial and proves why his is a bold and valued voice in the field. For this and other works, Sorkin is being honored with the Design Mind award.
For the other honorees, we’ll let their posters, gardens, restaurants and clothing speak for themselves:
Landscape Architecture, Margie Ruddick
When asked to create a “winter garden” for the Bank of America Tower in New York City, Ruddick created this living sculpture. She says, “we created an immersive green environment that is designed to make you feel like you have stepped into the natural world of the city.”
Communication Design, Paula Scher
Known for her rock ‘n’ roll aesthetic–she’s designed posters for Elvis Costello–Paula Scher is a clear voice in communication design. Her advice to aspiring designers? “Find out what the next thing is that you can push, that you can invent, that you can be ignorant about, that you can be arrogant about, that you can fail with, and that you can be a fool with. Because in the end, that’s how you grow.”
Interior Design, Aidlin Darling Design
Aidlin Darling’s design for this ultra-hip San Francisco bar and hangout got almost as much attention as the food. Generous with the wood, the design also employed billowing glass curtains.
Architectural Design, Studio Gang Architects
Designed for the Lincoln Park Zoo in Chicago, this structure takes its inspiration from a tortoise shell. The archway was part of a larger boardwalk that transformed an urban pond into “an ecological habitat buzzing with life.”
Fashion Design, Behnaz Sarafpour
Sarafpour began her career in New York in 1989 when she attended the Parsons School of Design. Since then, her work has found its way into special lines for Target and several museums, including the Victoria and Albert in London.
Interaction Design, Local Projects
To gather the stories of a mining community for an area museum, Local Projects built a recording studio from ”a trailer clad entirely in copper…in homage to the single metal that the Southwest is famous for supplying.”
Product Design, NewDealDesign
Based in San Francisco, NewDealDesign combines graphic, interaction and industrial design to create products that also serve as solutions.
Lifetime Achievement, James Wines
Wines has long integrated green design principles into his work, such as this Las Vegas Denny’s that also includes a wedding chapel.
March 5, 2013
Cindy Chao knew, with more than 2,300 gems of diamonds, rubies and tsavorite garnets, her butterfly brooch was masterpiece of craftsmanship. Made in 2009, the brooch found its way to the cover of Women’s Wear Daily–the first piece of jewelry ever to do so in 100 years. Known for her wearable works of art, Chao had made a name for herself as the first Taiwanese jeweler included at a Christie’s auction in 2007, and her work even debuted on the Hollywood red carpet.
Now her butterfly brooch comes to the Natural History Museum’s Gems and Minerals collection as the first piece designed by a Taiwanese artist. Small enough to fit in the palm of your hand, and brilliant enough to illuminate a room. The brooch packs a punch. But it also packs a surprise.
Curator Jeffrey Post says he was compelled by his ongoing interest in the optical behaviors of diamonds to put the piece under ultraviolet light, and the ensuing light show was nothing short of spectacular. The diamonds and sapphires fluoresced, glowing neon in the dark. “When we saw all these fluorescing diamonds, all these different colors, it was just the whipped cream on top of the cake,” says Post, “It was just the most wonderful surprise.”
Chao, meanwhile, had never seen this phenomenon. “When Dr. Post showed it to me under the ultraviolet light, I was shocked because he thought I did it on purpose.” An artist influenced by her father’s career as both an architect and sculptor, Chao cares about the craft of jewelry-making and working with unique materials. She calls the fluorescent reaction a natural miracle. Now, she says, “I check everything under the ultraviolet light.”
A symbol of metamorphosis, the butterfly speaks to Chao’s own transformation from jeweler to artist. While she’s had great success in the market (her pieces command any where from $15,000 for a ring and nearly $1 million for a brooch), she says earning a spot in the Smithsonian was a great honor as an artist. She hopes to pass on her lessons to students who share her passion for the craft of jewelry-making.
The brooch also speaks to the natural metamorphosis each gemstone undergoes. “Every gemstone,” says Post, “including this butterfly, starts out as a mineral crystal that forms, and only the best and most perfect of those mineral crystals are transformed into gemstones.” Post says that the incredibly detailed design of the brooch, which mimics the microstructure and scale of a living butterfly’s wings, speaks to the piece’s rarified quality. “The other side of the butterfly is just as beautiful as the front and that’s how you know, this is really a masterpiece creation,” he says.
Joining the recent Dom Pedro donation, as well as the famed Hope Diamond, the piece will brooch in the Hall of Gems and Minerals. Its donation also marks the fifth anniversary of the museum’s Butterfly Pavilion.