http://blogs.smithsonianmag.com/artscience/2013/01/mona-lisa-travels-by-laser-to-space-and-back-again/ Where the studio meets the research lab Tue, 21 May 2013 03:31:20 +0000 hourly 1 http://wordpress.org/?v=3.4 http://blogs.smithsonianmag.com/artscience/2013/01/mona-lisa-travels-by-laser-to-space-and-back-again/#comment-1027 MIHAIL Mon, 18 Feb 2013 19:23:42 +0000 http://blogs.smithsonianmag.com/artscience/?p=1816#comment-1027 When was in Paris in 2005, I couldn't but visit Louvre. But to Louvre came with sound recording equipment which was provided kindly by French. I found "Mona Lisa" and I began to write down the sound background created by numerous visitors, come to look at a masterpiece. The logic was simple. I will dare to note that any masterpiece possesses property of the high-structured information field. The person is too, in the basis, field structure. There is a contact of two field structures – the person and a masterpiece. In it probably art force. Those sounds, which people published, being in a masterpiece field (conversations, a shuffling of feet, etc.), were very valuable to me, they korrelyativno were connected with it. Having subjected these records to the most difficult transformational processing, I managed to receive absolutely improbable soundings. They brought many into shock, - in these sounds accurate identification with "Mona Lisa's" portrait was observed. I made similar records and at the well-known sculpture of Venus. As a result, on to basis of these records, at me three works – "Knowledge", "Stream" and "Communication" were born. When was in Paris in 2005, I couldn’t but visit Louvre. But to Louvre came with sound recording equipment which was provided kindly by French. I found “Mona Lisa” and I began to write down the sound background created by numerous visitors, come to look at a masterpiece. The logic was simple. I will dare to note that any masterpiece possesses property of the high-structured information field. The person is too, in the basis, field structure. There is a contact of two field structures – the person and a masterpiece. In it probably art force. Those sounds, which
people published, being in a masterpiece field (conversations, a shuffling of feet, etc.), were very valuable to me, they korrelyativno were connected with it. Having subjected these records to the most difficult transformational processing, I managed to receive absolutely improbable soundings. They brought many into shock, – in these sounds accurate identification with “Mona Lisa’s” portrait was observed. I made similar records and at the well-known sculpture of Venus. As a result, on
to basis of these records, at me three works – “Knowledge”, “Stream” and “Communication” were born.

]]> http://blogs.smithsonianmag.com/artscience/2013/01/mona-lisa-travels-by-laser-to-space-and-back-again/#comment-740 Kelly Sat, 26 Jan 2013 14:40:25 +0000 http://blogs.smithsonianmag.com/artscience/?p=1816#comment-740 Wow, I'm working on a short story that involves the Mona Lisa, and the "83% happy" stat is definitely going to be worked in. Wow, I’m working on a short story that involves the Mona Lisa, and the “83% happy” stat is definitely going to be worked in.

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