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Charles McIlvaine/Photographer unknown/Mycotaxon, 1986

In 1881, Charles McIlvaine, a veteran of service to the Union in the Civil War, was riding his horse near his cabin in West Virginia—passing through dense wooded areas blackened by fire—when he stumbled upon a “luxuriant growth of fungi, so inviting in color, cleanliness and flesh that it occurred to me they ought to be eaten.” He wrote, “Filling my saddle pockets I took them home, cooked a mess, ate it, and, in spite of the prophecy of a frightened family, did not die.”

That edible epiphany in the Appalachian wilderness initially supplanted an unvaried fare of potatoes and bacon, and it soon became an all-absorbing quest: McIlvaine would taste every mushroom he found. By 1900, he had tasted at least 600 species and established himself as an eager experimenter. (By comparison, the U.S. Department of Agriculture Annual Report of 1885 recommended 12 edible species.) In a letter to New York mycologist Charles Peck, McIlvaine wrote, “I take no man’s word for the qualities of a toadstool. I go for it myself.”

In 1900, McIlvaine published a richly illustrated, 700-page tome, One Thousand American Fungi: Toadstools, Mushrooms, Fungi: How to Select and Cook the Edible: How to Distinguish and Avoid the Poisonous. “It ought to be in the hands of all who collect fungi for the table,” one naturalist said. McIlvaine offers 15 pages of recipes for cooking, frying, baking, boiling, stewing, creaming and fermenting mushrooms, including advice from Emma P. Ewing (early celebrity chef and narrative-cookbook author). He exhibits a remarkable ability to stomach mushrooms considered poisonous (he’s sometimes known as “Old Iron Guts”), but what’s remarkable is that his extensive, idiosyncratic commentary mentions not only the natural morphological variations, but also the range of culinary possibilities.

Photograph by Huron H. Smith/One Thousand American Fungi/The Bowen-Merril Company, 1900

Consider the oyster mushroom (Pleurotus ostreatus): “The camel is gratefully called the ship of the desert; the oyster mushroom is the shellfish of the forest. When the tender parts are dipped in egg, rolled in bread crumbs, and fried as an oyster they are not excelled by any vegetable and are worth of place in the daintiest menu.”

Or the woodland agaricus (Agaricus silvicola): “It has a strong spicy mushroom odor and taste, and makes a high-flavored dish. It is delicious with meats. It is the very best mushroom for catsup. Mixed with Russulae and Lacterii or other species lacking in mushroom flavor, it enriches the entire dish.”

Or the vomiting Russella (R. emitica):  “Most are sweet and nutty to the taste; some are as hot as the fiercest cayenne, but this they lose upon cooking… Their caps make the most palatable dishes when stewed, baked, roasted or escalloped.”

Or even the parasitic jelly fungus (Tremella mycetophila): “Cooked it is glutinous, tender—like calf’s head. Rather tasteless.”

Photograph by James R. Welst/One Thousand American Fungi/The Bowen-Merril Company, 1900

Outside the ranks of today’s amateur mycologists (the North American Mycological Association’s journal is called McIlvainea), the man who explored the furthest frontiers of American mycophagy is little known. There is no authoritative biography, no major conservation organization named for him. In fact, as David W. Rose writes, McIlvaine endures “through—rather than in spite of—his brilliant eccentricity.” McIlvaine maintained a private home for the insane; he was partial to whiskey and sexual dalliance (eventually leading to his expulsion from Chautauqua); his busiest years were marred by a “housequake” of a divorce, including allegations that his wife poisoned him (truly curious for a man who ate mushrooms now considered poison). He died of arteriosclerosis in 1909, at age 68 or 69.

John Cage, composer and devoted mushroom eater, wrote, “Charles McIlvaine was able to eat almost anything, providing it was a fungus. People say he had an iron stomach. We take his remarks about edibility with some skepticism, but his spirit spurs us on.” (Also curious to note: Something Else Press reprinted McIlvaine alongside Cage, Marshall McLuhan, Bern Porter, Merce Cunningham, and Gertrude Stein.)

McIlvaine’s book endures as an attractive guide to anyone with the faintest interest in fungi, less as a primer for collecting or for lining your cellar with horse dung and more as a reminder to amateurs: in order to eat these species, you must know them well. His spirit inspires us to head out far beyond the supermarket’s insipid white button mushrooms, to where the wild things grow, for a taste of something that might make Old Iron Guts proud without our joining him in the grave.

Beatrix Potter/The Tale of Squirrel Nutkin/1903 by Frederick Warne & Co.

One of world’s largest and oldest living organisms also happens to be one of its least-respected. Nicholas P. Money’s most recent book, Mushroom, is something of a corrective and an enthusiastic outpouring for all things fungal—from a 2,400-acre colony of Armillaria ostoyae in Oregon to the supermarket’s white button mushrooms (Agaricus bisporus) right on down to the stuff that makes dandruff (Malassezia). In a testament to his passion, Money criticizes an amateur collector who’s removed a giant bolete the size of her head. “Why do people view mushrooms as so different from other living things?” he says. “Imagine, a meeting of the local Audubon Society that ended with the janitor tossing a sack of songbird eggs in the Dumpster.” Or whaling for research purposes.

Amateur mycologists foster a rare scientific partnership with professionals (a claim that perhaps only astronomers can boast of). Amateurs pioneered the study of mycology and the often-inseparable practice of mycophagy. One of these amateur mycologists was Beatrix Potter. She made careful observations of fungi and lichens, and her watercolors illustrate the 1967 British book Wayside and Woodland Fungi. Potter studied spore germination and wrote a scientific paper, but after being repeatedly snubbed—both for radical botanical views and because she a woman—she turned her attention elsewhere. Money writes:

Potter was, nevertheless, a pioneering mycologist, one whose intelligence and inquisitiveness might have been channeled into a career in science had she possessed the Y chromosome required for most Victorian professions. Fortunately, her considerable artistic talents gave her other outlets for her ambition.

Would The Tale of Peter Rabbit have been conceived had it not been for the biases of Victorian era science? Maybe not. In the paper “Bamboozled by botany, Beatrix bypasses bigoted biology, begins babying bountiful bunnies. Or Beatrix Potter [1866-1943] as a mycologist: The period before Peter Rabbit and friends,” Rudolf Schmid suggests that “her exclusion from botany has been said to have a direct analogy to Peter Rabbit being chased out of Mr. McGregor’s garden, that is, the garden of botany.”

Curiously, though, fungi rarely appear in Potter’s tales, and then mostly as a decorative or whimsical addition. Field mushrooms sprout in The Tale of Squirrel Nutkin; Agaricus campestris is a species squirrels collect, and elsewhere Potter noted their “nasty smell” and “good flavour.” The species also laid the groundwork for cultivated mushrooms and Heinz ketchup. It’s certainly one of the more subtle depictions of food in a genre rift with delightful donkey picnics and a champagne toast between mice.

As many hundreds of times as I’ve heard the story of Flopsy, Mopsy and Peter Cottontail, I never read it as a tale of enthusiasm for the natural world. Yet, at a time when animals are apparently falling out of favor in picture books (at least among Caldecott-award winners), I thought these observations made by an amateur naturalist were a testament to looking, you might say, where no one else had—towards the lowly fungi.

Adam Bernbach making drinks with organic local gin.

From guest blogger Jeanne Maglaty

Earlier this month, Smithsonian’s National Portrait Gallery unveiled a new portrait of Alice Waters, the legendary owner of Chez Panisse restaurant in Berkeley, California, and pioneer of the farm-to-table movement.

In the photographic portrait, a mulberry tree looms over Waters, looking chic in black in the Edible Schoolyard, her organic teaching garden and kitchen project in Berkeley that connects kids to “real” food and encourages healthy eating.

“The thing that I love most is that I’m very small and nature is very big,” said Waters as she stood beside the portrait, teary-eyed.

Waters’ acolytes gathered around her as she spoke in the museum’s Kogod Courtyard, some as teary-eyed as she. But hundreds of other hungry guests dared not move closer and risk losing their place in line for the food at the event.

Washington, D.C, culinary celebrities had prepared edible innovations for a glittery reception.  Here’s who and what you missed if you weren’t there:

Chef Cathal Armstrong of Restaurant Eve: Rappahannock River oysters with coriander migonette and green goddess vinaigrette

Chef Haidar Karoum of Proof and Estadio: Roasted winter vegetables with wheat berries and garlic and anchovy dressing

Chef-owner José Andrés of ThinkFoodGroup: Jamón Ibérico de Bellota Fermin—Acorn-fed, free-range Ibérico ham; Selecciónes de Embutidos Fermin—Selection of cured Spanish sausages

Chef-owner Mike Isabella of Graffiato: Crudo of wild striped bass with kumquats, cranberries and arugula

Chef-owner Nora Pouillon, Restaurant Nora: Winter root vegetable & Mushroom gratin with Ecopia Farms microlettuces

Chef-founder Todd Gray of Equinox Restaurant: Lightly smoked duck breast with savory fig chutney and French baguette crostinis

Owners Sue Conley and Peggy Smith of Cowgirl Creamery: Mount Tam cheese—bloomy, rinded triple crème, mushroomy, buttery; Red Hawk cheese—washed rind, triple crème, unctuous, aromatic; Wagon Wheel cheese—pressed and aged cow’s milk cheese, medium strength, semi-firm

Bar manager Adam Bernbach of Proof and Estadio: Catoctin Creek Gin with Tarragon-Pear Soda

Who could resist a single morsel? My daughter and I went back for seconds.

Waters has espoused her culinary philosophy based on using fresh, local products for 40 years. I asked cheesemonger Adam Smith of Cowgirl Creamery if it was difficult to decide what to serve at a reception for such a prominent person in his field.

Not at all, he answered.  He selected three cheeses that the Petaluma, California, creamery made from organic milk purchased from a neighboring dairy.

Nearby, Bernbach mixed cocktails using gin that was distilled (from organic rye grain) only 50 miles away from the nation’s capital in Purcellville, Virginia.

Dave Woody’s selection as the portrait’s artist came with his first-prize win in the gallery’s Outwin Boochever competition in 2009. You can see the new portrait of Waters on the museum’s first floor near the G Street NW entrance.

"Frito Favorites," circa 1954/Courtesy of Texas A&M University Press and Frito-Lay North America, Inc.

The curvy chips crinkle and crunch. Top the salty, golden corn chips with chili and you’ve got yourself a Frito pie, sometimes portioned out right inside the silvery, single-serving bag. The Frito pie is also known as a “walking taco,” “pepperbellies,” “Petro’s,” “jailhouse tacos,” or officially—under Frito-Lay North America, Inc.’s trademarked “packaged meal combination consisting primarily of chili or snack food dips containing meat or cheese corn-based snack foods, namely, corn chips”—the Fritos Chili Pie®. Call it what you will. It’s a soupy, creamy street food that’s recently entered the realm of haute cuisine.

Fritos got their start in Texas with the “Tom Edison of snack food.” The legend goes something like this, as Betty Fussell writes in The Story of Corn: “In San Antonio in 1932, a man named [Charles] Elmer Doolin bought a five-cent package of corn chips at a small café, liked what he ate and tracked down the Mexican who made them.” In another version of the story, Clementine Paddleford writes:

The flavor tickled his fancy, it lingered in memory. He found the maker was a San Antonian of Mexican extraction who claimed to be the originator of the thin ribbons of corn. The Mexican, he learned, was tired of frying the chips; he wanted to go home to Mexico and would be glad to sell out.

The café was more likely an icehouse, and the man who made the corn chip was named Gustavo Olquin, according to C.E. Doolin’s daughter Kaleta, who wrote a 2011 book Fritos Pie: Stories, Recipes, and More. She says her father worked briefly as a fry cook for Olquin and paid Olquin and his unnamed business partner $100 for a customized, hand-operated potato ricer, their 19 business accounts and the recipe for fritos—the patentable Anglo re-branding of Mexican fritas, or “little fried things.” Doolin borrowed $20 from the business partner; the rest came from his mother, Daisy Dean Doolin, who hocked her wedding ring for $80.

C. E. Doolin tinkered around with the recipe, mechanized the chipping process, and, in 1933, patented a “Dough Dispensing and Cutting Device” and trademarked the Fritos name. He worked on breeding custom varieties of hybrid corn. Doolin invented a “Bag Rack” and adopted the now-familiar practice of deliberately misspelling products to draw attention—“Krisp Tender Golden Bits of Corn Goodness.”

Rack header/Courtesy of Texas A&M University Press and Frito-Lay North America, Inc.

Whether fritas become fritos as an accidental Anglofication or as a deliberate “sensational spelling”—in the vein of Dunkin’ Donuts, Froot Loops, Rice Krispies—remains something of an open question. Prior to Doolin’s trademark, though, fritos does not appear to have referred to fried corn chips in Mexican Spanish. Either way, snack foods with distinctive, masculine “Os” persevered: Doolin would go on to create Cheetos and Fritatos; the company he founded would introduce Doritos and Tostitos.

What’s remarkable in retrospect is that he appears to have intended Fritos as a side dish or even an ingredient. In fact, the first recipe Daisy Dean Doolin came up with in 1932 was a “Fritos Fruit Cake”; its ingredients include candied fruits, pecans and crushed Fritos. Another early recipe for a company contest submitted by the woman who would later became C.E. Doolin’s wife, Mary Kathryn Coleman, described a “Fritoque Pie,” a chicken casserole with crushed Fritos. Her prize: $1. (This recipe has been lost and the lack of documentation probably contributes to competing claims about Frito pie’s origins at a New Mexico Woolworth’s in the 1960s.)

Pies aside, the fried corn chips became a pantry staple and an easy-to-use replacement for cornmeal, salt, and oil. Their versatility was practically unlimited. Advertisements from the 1940s said, “They’re good for breakfast, lunch, snack-time and dinner.”

Even more surprising for a man who revolutionized American corn chips and presaged the meteoric rise of the “Anglo corn chip,” which firmly cemented itself when Frito-Lay’s unveiled Doritos in 1966: Doolin did not eat meat or salt. He was a devoted follower of Herbert Shelton, a Texas healer, who ran for president on the American Vegetarian Party ticket.

I thought this transformation of Fritos loosely mirrored that of the Graham cracker, a whole-wheat health food that evolved into a sugary snack. I called his daughter, Kaleta Doolin, and asked about the apparent disconnect. “Fritos have always been a salty snack,” she said, “unless you’re at the factory and take them off the assembly line before they go through the salter, which is what we did.”

Rack header/Courtesy of Texas A&M University Press and Frito-Lay North

As much scorn and derision as today’s leading nutritional gurus heap onto processed foods, it’s worth noting that Fritos arrived here by way of a Mesoamerican staple and their invention and flavor owes a debt to one of the greatest food processing technologies ever invented: nixtamalization. The 3,000-year-old tradition adding calcium hydroxide—wood ash or lime—so greatly enriches the available amino acids in masa corn that Sophie Coe writes in America’s First Cuisines that the process underlies “the rise of Mesoamerican civilization.” Lacking this technology, early Europeans and Americans (who considered corn fit for slaves and swine) learned that eating a diet exclusively based on unprocessed corn led to pellagra, a debilitating niacin deficiency causing dermatitis, diarrhea, dementia and death.

As we approach one of the biggest snack days of the year and as “Anglo corn chips” continue to make up an increasing percentage of the snack foods market, perhaps it’s also worth celebration the incredible corn processing technology that brought us masa, tortillas fritas, Late Night All Nighter Cheeseburger-flavored Doritos and, of course, the Frito pie.

Poster via Gulf of Maine Cod Project, NOAA National Marine Sanctuaries/Courtesy of National Archives

In 1951, the Richfield Spring Mercury ran the following:

Bravely doing his bit to combat the high cost of meat, the manager of the New Jersey Bell Telephone Company’s cafeteria recently listed on the menu “pot roast of whale-prize beef of the deep.”… It was an experimental project, resulting in varied reactions to the finny fare, even though it was “on the house” Some said it tasted like fish, though the whale is a mammal. The overall reaction, however, was good enough to warrant a return of the mammal delicacy on a “pay-as-you-go” basis.

Sixty years later, whales rarely, if ever, enter our cafeterias or our culinary consciousness. The prevailing approach to the charismatic megafauna plays out in the cat-and-mouse game (with its own sensationalist reality TV show) between whaling ships and environmentalists in the waters around Antarctica. We tend to see whales as symbols of conservation, and sometimes even symbols of conservation’s excesses.

A temporary worldwide moratorium on commercial whaling went into effect in 1986, but given its exceptions and loopholes, more whales are being killed annually than before the ban. Something is awry. If the efforts of whale huggers worldwide aren’t working, then could markets be the solution? Three American scientists recently resurrected an idea first floated by ecologist C.W. Clark in 1982 to save the whales by setting a price on their heads. The article appeared in the journal Nature. Much like carbon credits, conservationists could buy whale quotas, pocket the credit, and save as many whales as money could buy. A minke might fetch $13,000, whereas fin whales might be priced at $85,000.

It’s an intriguing proposal—one that made me wonder if we’d soon be eating whale again. Well, barring the unforeseen and unlikely overturn of the federal Marine Mammal Protection Act, don’t expect to see whale margarine or “beef of the deep” making a comeback.

Here’s where D. Graham Burnett, the author of an epic history on cetacean science called The Sounding of the Whale comes in. With the help of artist Keil Borrman, he’d like to give you a taste of the taboo flesh—or rather a reproduction of the flavor and texture taste of whale meat. On Saturday, he’s planning to serve an elk carpaccio infused with jojoba oil essences (a botanical alternative to spermaceti oil), a pan-fried pork belly served with jellied crustacean court-bouillon and a lightly smoked ham prosciutto, served in linen. So it’s not exactly whale.

“We want to sensitize people to the quirkiness of the different possible relations one can have with these animals,” Burnett told me. “Nineteenth century whale men had certain kinds of intense intimate relationship with their quarry—in part based on food. They not infrequently ate from the carcasses whales they killed. They cut them up right there.”

We no longer experience those tastes and senses. They’ve long been cut off from the modern cafeteria—perhaps for good reason—but the playful provocation does raise the question of what it really means to know these animals.

D. Graham Burnett’s book launch and “whale” meat tasting will be held on January 28 in Brooklyn.