October 30, 2013
In 1971, Walt Disney World had just opened in Orlando, Florida. Led Zepplin was about to blow our minds, a prison riot had been shut down at Attica, and all across America, kids were pooping pink. Hundreds of mothers hospitalized their children for fecal testing out of fear of internal bleeding. Within that same year, not-so-coincidentally, General Mills released their classic monster cereals Count Chocula and Franken Berry. The latter was colored red using “Food, Drug and Cosmetics” (FD & C) Red No. 2 and No. 3., originally and chemically known as amaranth, a synthetic color named after the natural flower. The synthetic dye can’t be broken down or absorbed by the body.
A 1972 case study, “Benign Red Pigmentation of Stool Resulting from Food Coloring in a New Breakfast Cereal (The Franken Berry Stool),” published in Pediatrics explains the phenomenon later known as “Franken Berry Stool.” A 12-year-old boy was hospitalized for four days after being admitted for possible rectal bleeding. “The stool had no abnormal odor but looked like strawberry ice cream,” Payne reports. Further questioning of the mother revealed that the child had enjoyed a bowl of Franken Berry cereal two days and one day prior to his hospitalization. By the fourth day, they did a little experiment: They fed the boy four bowls of Franken Berry cereal and for the next two days, he passed bright pink stools. But other than pink poop, there were no other symptoms, Payne reports, “Physical examination upon admission revealed [a boy] in no acute distress and with normal vital signs…Physical examination was otherwise unremarkable.”
At the time of the study, the product had only been on the market for a few weeks. The author warns that “physicians should be aware of its potential for producing reddish stools.” Other monster cereals at the time also used dyes that caused stool to change colors. Booberry, which debuted in December of 1972, for example, uses Blue No. 1 (a dye currently banned in Norway, Finland and France) and turns stool green. Apparently, green stool seems less life-threatening than the reddish hue caused by Franken Berry.
But pink poop wasn’t always the worst side effect from colored confections. Ruth Winters’s A Consumer’s Dictionary of Cosmetic Ingredients details the history of commercial food dyes, including those later used in Franken Berry. At the turn of the 20th century, with virtually no regulation of more than 80 dyes used to color food, the same dyes used for clothes could also be used to color confections and other edibles.
In 1906, Congress passed the first legislation for food colors, the Pure Food and Drug Act, deeming seven colors suitable for use in food: orange, erythrosine, ponceu 3R, amaranth (the color later used in Franken Berry cereal), indigotin, naphthol yellow, and light green. Since then, upon further study, several of these choices have been delisted.
More than 20 years later, in 1938, Congress passed the Federal Food, Drug, and Cosmetic Act which gave these colors numbers instead of chemical names—every batch needed to be certified by the Food and Drug Administration, though some problems still arose: in the fall of 1950, many children became ill from eating an orange Halloween candy containing one to two percent FD&C Orange No. 1, for example.
Red Dye No. 2, the one used by the original Franken Berry cereal, was one of the most widely used color additives at the time, until a 1971 Russian study reported that the dyes caused tumors in female rats. Years of research led the FDA to find that even though the Russian study was extremely flawed (the FDA couldn’t even prove that amaranth was one of the dyes used), the agency would remove the dye from its Generally Regarded As Safe (GRAS) list in 1976. Between public outcry against the dye and the chance that trace elements could potentially have carcinogens, the FDA banned a number of other dyes as well. According to the FDA, 47 other countries, including Canada and the United Kingdom, still allow for the use of Red Dye No. 2.
That same year, Mars removed their red M&M’s from the candy-color spectrum for nearly a decade, even though Mars didn’t even use Red No. 2; the removal of the red candies was a response to the scare, livescience.com reports:
The red food coloring in question was not actually used in M&M’s chocolate candies, according to mms.com. “However, to avoid consumer confusion, the red candies were pulled from the color mix.”
Inquiries to General Mills as to when the Franken Berry ingredients switched to less poop-worrying dyes, were not responded to. These days, the only red colors accepted by the FDA are Red No. 40, which appears in all five of the General Mills monster cereals, and Red No. 3, typically used in candied fruits.
The symptoms of “Franken Berry Stool” were pretty benign compared to other more notable confectionary mishaps in history: The accidental poisoning of more than 200 people in Bradford, England in 1858 comes to mind. The sweets were accidentally made with arsenic. Let’s be thankful there’s a bit more regulation of food dyes these days.
Another stool scare in cereal history: Smurfberry Crunch Cereal, released in 1982 by Post Foods, turned the poop of those who ate it blue—the ultimate Smurfs experience. Post then changed the formula and re-released the cereal in 1987 as Magic Berries Cereal.
Looking for a sugar high now? You’re safe. When you open your celebratory, Franken Berry or any of the other monster cereals this Halloween, [for the first time, all five monsters are available in stores since the well-received re-release of Frute Brute (1975-1984) and Fruity Yummy Mummy (1987-1992)], expect a sugar high—without the pink poop aftermath. We tasted all five of the cereals and Count Chocula is the best by a long shot.
The best part is when the chocolate “sweeties,” as the marshmallows were called in the original commercials in 1971, are all gone: the plain milk becomes chocolate milk. Let’s be real, what child—or “adult”—prefers regular milk to chocolate? I haven’t met this kind of person.
April 30, 2013
In April, most seasonal restaurants tend toward green foods. As the weather shifts, and new crops come to life, plates are decorated with tender young peas, asparagus, green garlic, and spring onions. And now, the green strawberry is joining the ranks.
Picked earlier than their red cousins (and abundant this time of year), green strawberries have been popping up on high-end menus for the last several years. And they show no sign of going out of style any time soon. Evan Rich, chef at the new San Francisco hot spot Rich Table, decided to take the plunge this year after noting the presence of green strawberries on a number of menus he admired. Then the underripe berries made an appearance at the Ferry Plaza Farmers Market. Yerena Farms, a small organic berry grower based in California’s Monterey County was promoting the unusual item, and selling them to a number of prominent local chefs.
Rich bought several flats of the berries and pickled them using a simple brine of champagne vinegar, sugar and salt. Now he’s serving them with yogurt atop a scallop chip (the result of a process wherein the inventive chef purees, flattens, dehydrates and fries a local scallop).
So far, Rich been pleased with the results — a tart, perfumy flavor that catches diners just a little off-guard. “They have all the qualities of a strawberry without the sweetness,” he says. “They also provide a little hint of the sweet summer fruit to come.”
In cities like Portland, Oregon, where spring goes on a little longer, chefs have been seen pairing green strawberries with things like duck confit and rhubarb well into May. But green strawberries aren’t just for savory dishes. Brooklyn’s hipster pizzeria Roberta’s makes a green strawberries shortcake and at San Francisco’s Perbacco, pastry chef Laura Cronin regularly incorporates this unusual ingredient into her desserts this time of year.
“They have a more acidic flavor than red strawberries. I candy them or toss them in a sugar syrup seasoned with bay leaf and other spices and herbs,” she said recently. “I love the crispness they bring to the dish as well as the kiwi-like flavor they take on when macerated in sugar.”
Cronin’s latest creation? Candy cap mushroom donuts filled with green strawberry compote.
Unless you grow them yourself, finding a regular supply of green strawberries might be tricky for the average consumer. But it’s worth asking the vendors at your local farmers market if they’d considering picking a few flats of the fruit a week or so earlier than planned. Of course, green strawberries probably won’t ever ripen up to peak sweetness, so if you do pick or buy them at this stage, be sure to have a plan on hand for how to use them, like this simple pickling recipe that Yerena Farms has been handing out at the Ferry Plaza Farmers Market.
For the pickling:
1 part rice wine vinegar
1 part sugar
½ part water
¼ part lime juice
For the flavoring:
Dissolve the sugar into the vinegar with water. Cool completely. Combine strawberries, flavorings, and brine in a mason jar. Refrigerate for 2+ days. Get creative with flavorings. Have a pickle party and pair with cheese!
April 19, 2013
Artist Piet Mondrian used oil on canvas to create his famous geometric composition of neat red, yellow and blue squares and straight black lines.
Caitlin Freeman’s interpretation of this work of art is slightly different, and sweeter. Her medium? Flour, sugar, eggs and vanilla extract in a baking pan.
The pastry chef pulls inspiration from art and whips it into cakes, cookies, gelées and parfaits at her café on the fifth floor of the San Francisco Museum of Modern Art. The Mondrian cake, a compilation of moist yellow cake cubes coated in chocolate ganache, is the best seller at the museum location of the Blue Bottle Coffee Bar, which she runs with her husband, James.
In the café’s four years of operation, Freeman and her team have created nearly 100 desserts inspired by artwork that has appeared, at one time or another, on the museum’s walls. Twenty-seven of them, gleaned from works by Andy Warhol, Frida Kahlo and Henri Matisse, are featured in her new cookbook, Modern Art Desserts: Recipes for Cakes, Cookies, Confections, and Frozen Treats Based on Iconic Works of Art, published this week. Each recipe is accompanied by a photo of the original artwork, with detailed history written by Janet Bishop, the museum’s painting and sculpture curator.
Freeman includes a photo of her very first attempt at a Mondrian cake, which she says is quite embarrassing to look back on. “It wasn’t perfect, but we just had to make a few thousand of them to feel like we had a hang of what we were doing with that cake,” Freeman says. “You don’t know until you do that final cut whether or not it’s all come together, so that one’s a tricky one.”
Crafting art-inspired cakes wasn’t always the plan for Freeman. She studied photography at the University of California, Santa Cruz, but figured she’d eventually become a dentist—a career goal she explains was likely thwarted by her big sweet tooth. During a trip to the San Francisco Museum of Modern Art, Freeman fell in love with frequent pastry-painter Wayne Thiebaud’s Display Cakes, a 1963 oil painting of a trio of ready-to-eat cakes. Determined to become a pastry chef, she joined a new, small bakery called Miette, learning on the job and graduating from dishwasher to cake decorator (and business partner). She left Miette after seven years. Shortly after, the modern art museum called her and her husband about Blue Bottle Coffee setting up shop in its new rooftop garden.
“My reaction, since I was young, going into art galleries was seeing a piece of art that I really like, and liking it so much that I want to steal it or eat it,” Freeman jokes. “This is my way of doing something about it—just liking something so much that it inspires you to do something.”
How does Freeman move art from the canvas to the cake pan? Countless walk-throughs in the museum’s collections and multiple brainstorming sessions with her team. Some pieces lend themselves immediately to their dessert doppelgangers. For example, artist Ellsworth Kelly’s Stele I, a one-inch-thick, 18-foot-tall rust-colored oblong steel plate looks like an over-sized fudge popsicle.
But sometimes, Freeman says, the inspiration just doesn’t come. Landscape art, in the style of Ansel Adams and Georgia O’Keeffe, was tough to delineate in dessert form, so Freeman told her baristas to do the best they could with leaf-like latte art.
The colors in a given work of art usually drive the flavors in the resulting dessert. “If it’s all filled with blues and greens, it’s really hard to come up with something that’s tasty that’s blue,” Freeman says. A Ronald Fischer photograph of a shirtless beekeeper covered in bees led to a white chocolate box with a honey-pistachio parfait filling. The deep reds in Roy Lichtenstein’s triptych painting of a French cathedral became a spongy red velvet cake. Andy Warhol’s famous brightly colored print of Elizabeth Taylor gave rise to a neatly stacked gelatin treat of red, pink and mint squares.
Many of the cookbook’s desserts take several hours or even a day to complete, which can seem daunting to the average at-home baker. Freeman lays out a step-by-step assembly guide, instructing readers on how to temper chocolate, master butter cream and use chocolate transfer sheets, which add elaborate, stencil-like designs to finished sweets. “I didn’t want there to be big barriers of entry,” she says.
Frankly, when it comes to dessert, I think most people would agree.
April 5, 2013
Despite recent flirtations with secession and even being accidentally listed as a foreign destination by the State Department, Texas is not its own country. The Republic of Texas may have dissolved in 1845, but the Czech Republic of Texas is doing better than ever, thanks to a surge in interest in Tex-Czech’s most beloved dish: kolaches.
The doughy pastry came over with a wave of Czech migration in the late 19th century and found a happy home in the rural communities like West, Texas (a town of fewer than 3,000 people but which serves as a touchstone for Czech culture in the region) and others at the heart of the state, sometimes called the Czech Belt. For the most part, the culture settled in quietly. Unlike other urban centers in Midwestern cities including Chicago, Milwaukee and St. Louis, rural Czech families maintained relatively traditional dialects and recipes.
“The dialect of Czech spoken here is very old-fashioned. It’s from 100 years ago and people are always amazed to hear it and I think the food is the same way,” explains Austin-based food blogger Dawn Orsak. From her blog, Svačina Project, Orsak honors her Czech grandmother and chronicles her many adventures with kolaches, from judging to baking.
In the Czech Republic, kolaches come in two varieties: dense wedding kolaches that are formed in circles or frgale, which Orsak describes almost like a pizza, and covered in toppings. In Texas, you’ll find both the wedding kolaches and rectangular options with lighter, more bread-like dough. Since coming to the States, kolaches have added a few flavors (you would never find a kolache with meat in the Czech Republic, for example), including one of Orsak’s favorites: sauerkraut. Based off recipes that once used sweetened cabbage filling, sauerkraut kolaches arose only after coming to Texas. Though sauerkraut is now part of the Tex-Czech canon, other flavors still haven’t found complete acceptance within the community.
As big companies inside Texas capitalize on the kolache-trend, Orsak says it inspires her even more to find out about the roots of the food and to get it right. “My friend Laurie and I take pictures of the most bizarre fillings we can find and email them to each other with a subject line that says ‘Eww.’” She remembers one in particular, “There’s a place that makes a cream cheese kolache that has one of those mini Hershey’s bars stuck in the center, it sort of melts in there. I laugh because I am biased.” While she’s open to trying these new takes on the Czech dish, she says she can’t stand when big companies use gelatinous fruit fillings or get the dough wrong.
And she doesn’t seem to be alone in wanting to celebrate the century of Czech tradition in Texas. As a judge at the 2011 Kolache Festival in Caldwell, Texas, she says she was heartened by the number of young people entering the contest.
Her first taste of the pastry, traditionally filled with dried fruits or cheese, was in her grandmother’s kitchen on special occasions. Nowadays, Texans can grab the treat from bakeries and even gas stations on a whim. For the most part, says Orsak, these varieties aren’t true to the Tex-Czech roots of the pastry. The big three traditional kolache flavors are prune, apricot and cheese. But at these combination bakery-gas stations, you’ll often find savory buns with meats and even vegetables.
“It’s funny, there’s a company in Austin called Lone Star Kolaches that now has like four locations and they don’t even sell prune,” she says. “I asked about it a couple weeks ago and they said, we don’t sell that, which I was really surprised about.”
But when Texans find themselves outside the warm, buttery embrace of the Czech Belt, they crave everything from the sweet stuff to the less conventional and their demands are helping spread the dish, from Pittsburgh to D.C.
In February, Shana Teehan, spokeswoman for Rep. Kevin Brady from Texas, begged Roll Call writer Warren Rojas to find her some kolaches in the nation’s capital. “I’ve never had a flavor I didn’t like,” she told him, “whether it was a sweet, fruit-filled bun, or a savory option filled with sausage, cheese or peppers.”
Czech cuisine also enjoys some fame for its influence on Texas barbecue, which owes a lot to Czech and German smoked meats. In fact, the most common place to find Czech food–other than at a bakery–is at a meat market or barbecue.
All of this is helping bring the food of the Tex-Czech community, most visible at festivals and bake-offs but largely tucked away in rural kitchens, onto a wider stage. From a new bakery in Brooklyn, New York to hungry politicians in D.C., kolaches may be ready for their close-up.
Orsak offers up her favorite recipes here.
March 29, 2013
Nothing screams Easter like the arrival of brightly colored marshmallow Peeps snuggled inside crinkly packaging at the grocery store. For many people, the sweet is meant to be hidden: some stuff them into plastic eggs hidden in the backyard for their kids to find, while others tuck them away in desk drawers at the office to satisfy late afternoon hunger pangs. But for one distinct group, marshmallow chicks and bunnies are stuffed (and baked and blended and broiled) into otherwise Peep-less recipes in the kitchen. Thanks to the massive proliferation of food blogs in recent years, we can witness the surprising culinary places a few of the 2 billion Peeps produced each year end up. Here are five ways to cook with these sugar-laden holiday staples, which Bethlehem, Pennsylvania-based company Just Born has manufactured for 60 years.
Bake them. Because Peeps are essentially colorful marshmallows, they won’t seem out of place in dessert recipes. Exposed to high heat, Peeps melt back into their native state, a pool of sugary liquid fluff. They’re worthy substitutes for plain marshmallows in brownies, cookies, pies—even bread. For hearty Peep-stuffed brownies, start with a regular boxed mix of the bake-sale classic, following the package directions to create the gooey batter. Spread a portion of it out onto a pan, pressing Peeps of the color of your choosing into the mixture. Layering the remaining brownie mix on top to hide the chicks, and dust some Peep powder on top for decoration once you’re done baking.
Try squishing a Peep between two globs of cookie dough, sculpting the batter into round, slightly raised shapes, and bake according to your usual cookie recipe (this one recommends folding a pretzel into the dough along with the Peep for added crunch). Or use chick or bunny Peeps as pie filling. Melt the candies in hot milk and let them cool before folding in heavy whipping cream and chopped or bite-size chocolate candies (semisweet chocolate chips, Reese’s Pieces or tiny chunks of toffee). Pour the thoroughly mixed batter into a store-bought or homemade pie crust and leave in the refrigerator overnight.
The Peep flavor can also be infused into breakfast desserts, like the sticky and gooey monkey bread. Dip buttermilk biscuits into a smoothly whisked mixture of microwave-melted Peeps, butter and vanilla extract. Roll the biscuits in sugar dyed with food coloring to match the color of the Peeps, and stack and mold them into a bundt cake shape after they’re baked and golden brown.
And bake them some more. Not all casserole recipes are a match for Peeps (think tuna or cheesy macaroni), but less savory kinds, like those made with sweet potatoes, welcome a hint of marshmallow. Bake chick-shaped Peeps atop a batter of boiled and mashed sweet potatoes, milk, brown sugar, cardamom and cinnamon, letting some of the toasted marshmallow flavor seep into the casserole. Or swap standard marshmallow topping for slightly browned Peeps in this recipe for candied yam soufflé.
Toss them. We don’t recommend pairing Peeps with arugula, baby spinach and crumbled feta—tossing them with sweet and citrusy fruits produces better results. This recipe takes a spin on the Waldorf salad, a blend of apples, celery, walnuts and mayonnaise popularized in the early 1900s at a New York City hotel of the same name. Use pink or yellow Peeps for this one—flashes of electric blue in the middle of a salad might be alarming. Pair them with diced bananas, chopped oranges, halved maraschino cherries and work in shredded coconut and your choice of nuts. Drizzle fresh lemon juice and orange-flavor liqueur on top, mixing the entire batch well before serving.
Peeps can replace regular miniature marshmallows in ambrosia salad, another well-known fruit concoction. Chop pastel-colored chicks or bunnies into the size of the average miniature marshmallow. Add them to a bowl of pineapple chunks, diced mandarin oranges and shredded coconut, and then stir in a generous helping of Cool Whip.
Blend them. Peeps’ soft texture makes them prime candidates for electric mixers. Combine chocolate mousse-flavored Peeps with milk, sour cream and vanilla ice cream in a blender for a chocolatey shake. For a hint of toasted flavor, broil the chicks for one or two minutes until lightly charred before tossing them into the blender. Make Peep-flavored frosting by heating your choice of Peeps with egg whites, sugar and water in a saucepan. Beat the batter with a hand mixer until it gains some thickness, then spread it over cupcakes. Feeling fancy? Transform Peeps into unusually colorful mousse. Melt Peeps with heavy whipping cream in a saucepan, then zest off some sugar from still-intact chicks onto the sugary mix once it’s cooled.
Freeze them. Peeps don’t always have to be melted down beyond recognition in the kitchen. The marshmallow candies can also make for tasty frozen desserts, which this recipe dubs “peepsicles.” Press wooden craft sticks into bunny-shaped Peeps and submerge them into a bowl of melted chocolate. Coat the peepsicles with shredded coconut, slivered nuts or sprinkles and store them in the freezer. Move beyond the obvious with this recipe for ceviche, a marinated seafood dish usually served raw and cold. Soak frozen bits of Peep in lime juice, dried chili peppers, fresh strawberries and dark chocolate, and dig in before they thaw and all the juices break them down. Peeps get very crunchy in less than zero temperatures, and really frozen ones (well, those submerged in a bucket of liquid nitrogen) easily shatter.
When cooking with Peeps, remember that, just like fruits and vegetables, they’re seasonal, available only around Valentine’s Day, Easter, Halloween and Christmas. However, the marshmallows have an astonishing shelf life of two years, so finding a forgotten pack of five in the pantry can be a sweet (albeit slightly stale) surprise.