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This is the last in a 24-part series looking at every episode of “The Jetsons” TV show from the original 1962-63 season.

The final episode of the first season (and only season until a mid-1980s revival) of “The Jetsons” originally aired on March 17, 1963, and was titled “Elroy’s Mob.”

In the opening sequence of each episode of “The Jetsons” we see young Elroy dropped off at the Little Dipper School. Down he goes, dropped from the family car in his little bubble top flying saucer; his purple and green lunchbox in hand. Despite this, viewers of the show don’t get many peeks at what education in the future is supposed to look like. All of that changes in the last episode. Here the story revolves around Elroy’s performance in school and a bratty little kid named Kenny Countdown. It’s report card day (or report tape, this being the retrofuture and all) and the obnoxious Kenny swaps Elroy’s report tape (which has all A’s) for his own (which not only has four D’s and an F, but also an H).

Elroy brings his report tape home and naturally gets in trouble for getting such low marks. The confusion and anger are settled after Kenny’s dad makes him call the Jetsons on their videophone and explain himself. But by then the damage had been done. Elroy ran away from home with his dog Astro and proceeded to get mixed up with some common criminals. (Based on the last 24 episodes of the Jetsons you wouldn’t be blamed for thinking that maybe 50 percent of people in the year 2063 are mobsters, bank robbers and thieves.)

A robot teaches Elroy Jetson and a class of the future (1963)

All of this trouble with the boys’ report tapes starts in the classroom, where Elroy’s teacher is passing out the tapes. According to little Elroy: “And eight trillion to the third power times the nuclear hypotenuse equals the total sum of the triganomic syndrome divided by the supersonic equation.” Elroy’s teacher, Ms. Brainmocker, praises little Elroy for his correct answer (perhaps gibberish is rewarded in the future?). But we have reason to believe that maybe Elroy’s answer isn’t correct. You see, his teacher is having a tough day because she’s malfunctioning. Because Ms. Brainmocker is a robot.

Aside from the vicious fights over racial segregation in our nation’s schools, one of the most pressing educational concerns of the 1950s and ’60s was that the flood of Baby Boomers entering school would bring the system to its knees. New schools were being built at an incredibly rapid pace all across the country, but there just didn’t seem to be enough teachers to go around. Were robot teachers and increased classroom automation the answers to alleviating this stress?

As Lawrence Derthick told the Associated press in 1959, the stresses of the baby boom would only get worse in coming years with more kids being born and entering school and the number of teachers unable to keep pace with this population explosion: “1959-60 will be the 15th consecutive year in which enrollment has increased. He added this trend, with attendant problems such as the teacher shortage, is likely to continue for many years.”

Other than the Jetsons, what visions of robot teachers and so-called automated learning were being promised for the school of the future?

“Push-button education” in the May 25, 1958 edition of the Sunday comic “Closer Than We Think” (Source: Novak Archive)

Arthur Radebaugh‘s classic futuristic comic strip “Closer Than We Think” (1958-63) looked at the idea of automation in the classroom. Movies, “mechanical tabulating machines” and teachers instructing by videophone were all envisioned for the classroom of tomorrow. Each child sits in front of a console which has a screen displaying equations, multiple colored buttons and what looks like maybe a video camera or microphone mounted on the top-center of the desk.

From the May 25, 1958 edition of “Closer Than We Think”:

Tomorrow’s schools will be more crowded; teachers will be correspondingly fewer. Plans for a push-button school have already been proposed by Dr. Simon Ramo, science faculty member at California Institute of Technology. Teaching would be by means of sound movies and mechanical tabulating machines. Pupils would record attendance and answer questions by pushing buttons. Special machines would be “geared” for each individual student so he could advance as rapidly as his abilities warranted. Progress records, also kept by machine, would be periodically reviewed by skilled teachers, and personal help would be available when necessary.

The Little Dipper School, which Elroy Jetson attends (1963)

But visions of automated classrooms and robot teachers weren’t exactly comforting predictions to many Americans. The idea of robot teachers in the classroom was so prevalent in the late 1950s (and so abhorrent to some) that the National Education Association had to assure Americans that new technology had the potential to improve education in the U.S., not destroy it.

In the August 24, 1960 Oakland Tribune the headline read “NEA Allays Parent Fears on Robot Teacher”:

How’d you like to have your child taught by a robot?

With the recent splurge of articles on teaching machines, computers and electronic marvels, the average mother may feel that her young child will feel more like a technician than a student this fall.

Not so, reassures the National Education Association. The NEA says it is true that teaching machines are on their way into the modern classroom and today’s youngsters will have a lot more mechanical aids than his parents.

But the emphasis will still be on aid — not primary instruction. In fact, the teaching machine is expected to make teaching more personal, rather than less.

In recent years, teachers have been working with large classes and there has been little time for individual attention. It is believed that the machines will free them from many time-consuming routine tasks and increase the hours they can spend with the pupil and his parents.

The article went on to cite a recent survey showing that there were at least 25 different teaching machines in use in classrooms around the United States. The piece also listed the numerous advantages, including instant feedback to the student about whether their answers were correct and the ability to move at one’s own pace without holding up (or feeling like you’re being held up by) the other students in a class.

“Automated schoolmarm” at the 1964-65 New York World’s Fair (Source: Novak Archive)

The year after this episode first aired, the 1964-65 New York World’s Fair featured an “automated schoolmarm” at the Hall of Education. The desks and chairs were incredibly modern in design and included plastic molded chairs, a staple of mid-1960s futurism.

From the Official Souvenir Book: “The Autotutor, a U.S. Industries teaching machine, is tried out by visitors to the Hall of Education. It can even teach workers to use other automated machines.”

Robot teacher from the December 5, 1965 edition of the Sunday comic strip Our New Age (Source: Novak Archive)

The December 5, 1965 edition of Athelstan Spilhaus‘s comic strip “Our New Age,” people reading the Sunday paper learned about humans’ ability to understand faster speech. This “compressed speech” was illustrated in the last panel of the strip as something that could easily be delivered by robot teacher of the future.

“Compressed speech” will help communications: from talking with pilots to teaching reading. Future school children may hear their lessons at twice the rate and understand them better!

Fast-talking humanoid robots have yet to enter the classroom, but as I’ve said before, we have another 50 years before we reach 2063.

Watching the “billionth rerun” of The Flintstones on a TV-watch device in The Jetsons (1963)

The Jetson family and the Flintstone family would cross paths in the 1980s but there was also a joking nod to the connection between these two families in this episode. The “billionth rerun” of “The Flintstones” is showing on Kenny Countdown’s TV-watch. “How many times have I told you, no TV in the classroom! What do you have to say for yourself?” the robot teacher asks.

In keeping with its conservative leanings, viewers in 1963 are at least assured of one thing — that it doesn’t matter how much well-meaning tech you introduce into a school, kids of the future are still going to goof off.

1919 illustration in Life magazine showing a future exodus from the U.S. over new bans (Source: Predictions by John Durant)

Anytime the government tries to ban something there are usually loud warnings about slippery slopes and guesses as to what perfectly reasonable American past-time might be banned next. If New York City bans trans fats (as it did in 2007), what’s next? Smoking in its parks? Oversized sodas? Oh, right. It banned those things too, with mixed success.

Perhaps the most notorious ban in U.S. history was our national experiment in forced sobriety. The United States ratified the 18th Amendment in January of 1919 which outlawed the sale of alcohol and many people were (understandably) not pleased. The one-year gap between the ratification of the amendment and it becoming the enforced law of the land led many people in 1919 to speculate (and joke) about the repercussions.

Life magazine ran a number of illustrations in 1919 predicting what would happen after the law went into effect. Their most dire guess? A mass exodus. This “Great Exodus of 1925″ would be thanks to new bans on everything from baseball to pork and beans:

• No Dancing
• No Golf
• No Pie
• No Kissing
• No Theatres
• No Smoking
• No Tiddly-Winks
• No Baseball
• No Pork and Beans
• No Ice Cream
• No Lemonade
• No Candy
• No Golf
• 6 p.m. curfew

No ice cream? That’s just about the darkest dystopian prediction we’ve ever looked at here on the Paleofuture blog.

Of course, the 18th Amendment became the only amendment of the U.S. Constitution to later be repealed. Thanks to the ratification of the 21st Amendment in 1933, Americans could enjoy a drink again, though many dry counties still exist.

What do you think? Will alcohol prohibition ever be tried again? How much longer will tobacco be legal? Is a ban on large sodas a good idea?

This is the 23rd in a 24-part series looking at every episode of “The Jetsons” TV show from the original 1962-63 season.

The 23rd episode of “The Jetsons” originally aired on March 3, 1963 and was titled “Dude Planet.”

In the year 2063, the people in the Jetsons’ universe work just a few hours a day. When they’re hungry, they just push a button or two and out pops a fully-formed, nutritious meal. Trips to distant planets are commonplace for a middle class family of four. And humanoid robots see to their every earthly need.

But despite all this, the Jetsons are depressed.

Not all of the time, mind you. They have fun playing sports, watching TV, going out to eat, and enjoying a cigarette with their martinis. But no matter how good things may seem for the Jetson family, the show assures us that life in the future will still be a grind. The futuristic machine that magically makes breakfast will undoubtedly break. Your boss at the sprocket factory will still hound you for not working to his satisfaction. The rich and powerful will still use the legal system to their advantage.

What then is a 21st century human to do? How are we to cope with the overwhelming stresses of modern life in the future? We find that the answer for people like Jane Jetson is to retreat into a world of cultural nostalgia.

Jane Jetson is depressed and overwhelmed by modern life (1963)

In the 23rd episode of “The Jetsons,” Jane isn’t feeling well. Life is a drag. Everything makes her irritable and her frustration with the repetition of life in the 21st century manifests itself in lashing out at the people she loves the most.

Jane goes to the doctor (at her husband’s insistence) and the doctor proceeds to run a bunch of tests. Jane tells the doctor about the stresses and general monotony of her life: “every day it’s the same thing, and every morning it’s the same thing,” she begins to explain in what sound like Nine Inch Nails lyrics. The doctor’s diagnosis is that she has buttonitis. “You need a rest,” the doctor tells Jane. “Get away from all those buttons.”

So Jane takes the doctor’s advice and decides to get away from it all. She visits a travel agency (remember those?) and books a trip to a dude ranch — a place where futuristic cityfolk can get away from the pressures of modern life and play cowboy.

People of the Jetsons universe riding robot horses on a “dude planet” (1963)

It’s perhaps notable that Jane doesn’t visit a dude ranch on Earth. Instead, the travel agent tells her to visit the Beat Bar Ranch on the Beta III Dude Planet. “It’s like a page out of the old West,” the travel agent explains.

The fact that there’s apparently no suitable dude ranch on Earth could be a hint that Jetsonian technological development and rapid growth had long since swallowed any semblance of the rustic outdoors that Americans had known at midcentury. The postwar period of growth, with its insatiable thirst for suburban homes, new schools, bigger airports, and more highways was concerning conservationists of the early 1960s. Many believed that this growth meant that the days of outdoor recreation in America were numbered.

In 1962 (the year before this episode aired) a report was delivered to Congress and President Kennedy outlining the future of outdoor recreation in America. The report highlighted this postwar concern about how once-rural land was being allocated — with highways, schools and subdivisions on one side, and open spaces and unpolluted water on the other.

Decade by decade, the expanding population has achieved more leisure time, more money to spend, and better travel facilities; and it has sought more and better opportunities to enjoy the outdoors. But the public has also demanded more of other things. In the years following World War II, this process greatly accelerated as an eager Nation, released from wartime restrictions, needed millions of new acres for subdivisions, industrial sites, highways, schools, and airports. The resources for outdoor recreation — shoreline, green acres, open space, and unpolluted waters — diminished in the face of demands for more of everything else.

In the world of the Jetsons, outdoor recreation is relegated to distant planets. But at least this romanticized version of the “Old West” is still at your disposal.

Jane dances with a robot cowboy at the dude ranch (1963)

The dude ranch is filled with people who we assume are in the same boat as Jane — mentally exhausted and feeling generally disconnected from any sense of personal fulfillment. Their quest to achieve happiness in the 21st century is thwarted by an evolving standard of comfort. Viewers of the show are warned that questions about the meaning of life and one’s self-worth hang over mid-21st century humanity just as they did in the 20th.

Jane heads to Beta Bar Ranch with her friend Helen but neither really seem to be enjoying themselves. It would seem that this escape into a world of nostalgia is no solution to their problems. They try their best to relax and take in the sights (like a cowboy doing his best to wrestle a robotic bull to the ground, and a robot cowboy emerging from a jukebox for a quick dance) but it’s no use. Jane simply misses her husband George too much. On top of that, she’s also jealous of the imaginary party he was throwing when they talked over the videophone.

Jane finds that reveling in nostalgia hasn’t helped her boredom with the tedium of life. Without saying as much, we assume that she resolves to simply put up with the more depressing aspects of life in the future. Happiness is at home, even when it’s not.

Riding a robotic horse on a dude ranch in the 23rd episode of The Jetsons (1963)

Today we often romanticize the past in similar ways as Jane. However, having a lot of money obviously helps one realize her dreams in playing Old West. Billionaire Bill Koch (the lesser known of the three brothers Koch) is currently building his own 50-building old west town on his 420 acre ranch in Colorado, complete with a 22,000 square foot mansion. The town will house Koch’s collection of Old West memorabilia, including a gun owned by Jesse James, Sitting Bull’s rifle, and a photograph of Billy the Kidd that he bought at auction for $2.3 million in 2011.

But 50 years hence it’s unlikely that any real-life Jane Jetsons will be able to get away from it all at Koch’s version of the Old West. Koch has said that he has no plans to make any of it open to the public.

Interior of the Northrop airplane of tomorrow (1948)

During World War II, many Americans had high hopes for what life would be like in the future. Sometimes this was fueled by advertisers who promised that great things were just around the corner. Sacrifice for your country now they said, and all of your wildest high-tech dreams would come true after the war. As we’ve seen before, this attitude was sometimes tempered by skeptics who warned that while there may indeed be great things ahead, Americans should keep their shirts on.

Once the war ended in 1945 inventors, corporations and advertisers kicked into high gear, scrambling to perhaps make good on some of the promises they’d made during the war. But that also didn’t stop the unrelenting torrent of predictions about the leisurely society of tomorrow.

One popular area of prognostication was about how people would be traveling in the near future. The average American would soon be taking to the skies, in hyper-futuristic airplanes with all the luxuries of a swanky dinner club. One of these skyward-gazing predictions appeared in a 1948 short film called The Northrop Flying Wing, produced for the Popular Science series of films. Designed by Jack Northrop, Northrop’s sleek design screamed “airplane of the future.”

Rendering of a futuristic airplane from a Popular Science newsreel (1948)

The film explained that this airplane of the future would seat 80 people and provide gorgeous views of the countryside below through large plexiglass windows:

Now a preview of the flying wing transport of tomorrow. The mid-section provides ample room for 80 passengers. Spaciousness keynotes the luxurious main lounge, extending 53 feet inside the wing. And future air travelers will really see something. Through the plexiglass windows of the front wing edge, passengers have an unimpaired view of the earth unrolling thousands of feet below. Coast-to-coast flights in four hours may not be far away.

Illustration of the airplane of the future in cut-away (1948)

This high-tech flyer had its roots in the military, the film tells viewers, but much like other advancements of WWII, the Northrop-built planes held tremendous promise for peacetime uses:

Wing controls are like those of a conventional plane, except for elevons, combining functions of elevator and aileron. Today a potent defense weapon, it may revolutionize commercial flying. The dorsal tip of the plane provides an excellent vantage point to see the world go by. Snug as bugs in their magic carpet, air travelers can look down on mere earthlings as the double-quartet of mighty turbo jets whistle them through space.

This flying wing bomber is the twelfth type to be designed by John K. Northrop since 1939 — the latest edition to a family of planes that may some day may rule the air.

View from the interior of the futuristic Northrop plane (1948)

The world of air travel in the future will be one of luxury and efficiency, with plenty of booze for good measure:

Surprisingly enough, the luxurious wing is simpler to build than other planes. Being a single unit with a structure extending from tip to tip. The sleek air leviathan carries more cargo farther, faster with less fuel than any comparable plane.

And the bar will raise the spirits who don’t feel high enough in the stratosphere. The flying wing has the stability of a fine club and refreshments can safely be wheeled in. This new device is an electromagnetic table holder.

Airplane bar of the future from a Popular Science newsreel (1948)

By the end of the short film the narrator has adopted a strangely paternalistic tone about technology. We’re told that the American public “quickly accepts” the fantastic miracles bestowed upon them by science:

The public quickly accepts all the miracles that science provides. Even skyliners like this will become commonplace. But the giant flying wing is more than a super-streamlined airplane. It is the fulfillment of scientific vision, and symbolizes the practical dreams of science for our world of tomorrow.

Viewers of the late 1940s are told that thanks to science, the world of tomorrow will be the fulfillment of a glorious vision — whether they like it or not.

This is the 22nd in a 24-part series looking at every episode of “The Jetsons” TV show from the original 1962-63 season.

The 22nd episode of “The Jetsons” originally aired on February 24, 1963, and was titled “Private Property.”

Like many that would come before it, this episode of “The Jetsons” centers around the business rivalry between Mr. Spacely and Mr. Cogswell. However, a short scene from the episode featuring Judy and Jane is far more interesting for our purposes than two middle-aged cartoon men yelling at each other about where their property lines begin and end.

Jane “tries on” a green “early galaxy” dress in the 22nd episode of The Jetsons (1963)

Jane and George have tickets to go to a play titled My Space Lady, a reference to the 1950s Broadway musical hit My Fair Lady. In order to determine what to wear to the play, Judy employs a rather Jetsonian method of trying on clothes.

“What are you wearing to the show tonight, Mother?” Judy asks.

“Well, Judy I can’t make up my mind,” Jane replies.

Judy suggests turning on the “dress selector” in order to find an appropriate outfit for the show.

Judy turns on the “dress selector” for her mother (1963)

“Oh we need the facsimile image! It’s the second button from the top, Judy.”

A screen descends from the ceiling in front of Jane and Judy pushes a button to turn on the dress selector projection machine. But when it comes to dresses Jane has is very discerning. “No, not this one, early Galaxy simply isn’t in vogue this season,” she says.

Another dress is projected onto her body. “Ooh, isn’t that a Christian Di-Orbit, mother?” Judy asks in a 21st century nod to mid-20th century French fashion designer Christian Dior.

“Yes, but I wore it at the ballet last month,” Jane replies.

With yet another switch, Jane decides on a dress with the projected image moving along with her arms in perfect synchronization.

Screenshot from the 1993 AT&T concept video “Connections” showing the electronic mannequin of tomorrow

In the 1993 AT&T concept video “Connections” we see a similar scenario play out as the one that would precede it by 30 years on “The Jetsons.” In this case, a woman and her daughter are shopping for a wedding dress. The daughter visits her mom at work and they proceed to “go shopping” by dialing in to Colton’s National Bridal Service.

The service asks the daughter to authorize her electronic mannequin, which brings up an animated avatar of her in a simple white tunic and heels. They can then flip through the different possibilities in wedding dresses, customizing features as they see fit while being able to see what it looks like on her body.

Me-ality machine at the Culver City Westfield mall (Photo: Matt Novak, 2013)

Here in the year 2013, we seem ever closer to that Jetsonian vision of choosing outfits. A number of clothing websites now let you “try on” clothes in a virtual fitting room, while shopping malls are also installing machines that allow you to find your size by way of sizing kiosks. Yesterday I walked down to Culver City’s Westfield mall and tried out their Me-Ality sizing machine.

I began by giving the attendant working the booth my name, birthdate, zip code, and email. Stepping into the booth feels a bit like the TSA’s backscatter “naked” x-ray machines, though the young woman working there assured me theirs is different (read: less cancer-causing?) technology. After a 10-second scan (again, which feels exactly like an airport backscatter scan with its swoopy arm buzzing in front of me) I exit the booth and am shown a computer screen which lists various types of clothing. Touching each button category (jeans, sweaters, etc) brings up stores that may have clothes in my size.

As the Huffington Post notes, the free clothes sizing scan from Me-Ality comes at a cost. Not only is your information shared with retailers, Me-Ality also sells all of the data to researchers and marketers, since it “collects information about the precise heights, weights and body mass indexes of the shoppers who use it, from which it can also determine health risk factors.”

As far as we can tell, Jane Jetson never had her body mass index, email and zip code sold to market research folk. But welcome to the retail future.