July 3, 2012 9:00 am
Wrecked Rivers of T.S. Eliot’s ‘The Wasteland’ Teem With Life Once More
“The river sweats / Oil and tar / The barges drift / With the turning tide,” wrote T. S. Eliot in an ode to the River Thames in The Wasteland. Indeed, oil and tar and other industrial pollutants for years plagued Britain’s rivers, from the “Great Stink” of 1858 when human waste choked London’s Thames to the ‘dead’ waters of more recent years, characterized by an almost complete lack of life in Britain’s contaminant-laden waterways. At last, though, a glimmer of hope shines through for Britian’s rivers.
According to Futurity.org:
After decades of pollution, typically from poorly treated sewage and industrial waste, urban rivers throughout England and Wales have improved dramatically in water quality and wildlife.
To arrive at this encouraging conclusion, researchers from Cardiff University used 50,000 river samples taken from all over Great Britain. The found that mayflies and stoneflies – species indicative of a healthy ecosystem – had largely returned. To birders’ delight, dippers and kingfishers have also flitted back to the shores of many rivers.
The team credited industrial decline, tighter regulation, and improved wastewater treatment over recent decades for the general improvement.
Unfortunately, the results did not apply universally. Rivers in some parts of Wales and Northern England have actually deteriorated in quality over recent years, the researchers found.
Britain’s Environmental Agency plans to continue measures to reduce pollution and restore rivers to health, at which point a different selection of Elliot’s prose may fit the bill: “The river bears no empty bottles, sandwich papers, / Silk handkerchiefs, cardboard boxes cigarette ends / Or other testimony of summer nights.”
More from Smithsonian.com:
The Long and Winding History of the ThamesĀ
The Epic Struggle to Tunnel Under the ThamesĀ
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This story is good news. But we have to keep the language clear as well as the rivers. In poetry words count and the spaces between words count too. Exactness counts everywhere. Eliot’s poem, the most famous in English of the 20th century, and so not hard to get right has the free-flowing title of The Waste Land, not the sludgy alternative used here of The Wasteland (on the unintended analogy with Disneyworld?).
Comment by Nicholas Jenkins — July 3, 2012 @ 8:53 pm